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<pubDate>Thu, 11 Apr 2013 20:51:38 GMT</pubDate>
<lastBuildDate>Thu, 11 Apr 2013 20:51:38 GMT</lastBuildDate>
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<title><![CDATA[QSC K and KW Series Loudspeakers Deliver Power and Clarity to TV’s “Nashville”]]></title>
<link>http://www.qscaudio.com/press/news.php?id=422</link>
<pubDate>Fri, 29 Mar 2013 17:11:06 GMT</pubDate>
<description><![CDATA[<i></i><br><br><h2>QSC  Loudspeakers on the Set of ABC's Primetime Drama Recreate the Concert Experience  While also helping to Ensure Perfect Lip Sync.</h2> <p>  <img src="http://www.qscaudio.com/press/content/images/Nashvill01.png" alt="" style="-webkit-user-select: none"></p> <p>Nashville,  TN&nbsp; (March 25, 2013) - Over 20,000 watts of QSC <a href="/products/Loudspeakers/K_Series_Active/">K</a> and <a href="/products/Loudspeakers/KW_Series_Active/">KW</a> Series Active  Loudspeakers are helping to bring an authentic concert experience to the set  of&nbsp; "Nashville," ABC's new hit primetime musical drama. The  compact, high-powered speakers are being used to deliver pre-recorded music  tracks to the actors and an audience of extras on the "Nashville"  soundstage with a clarity that not only creates a lifelike concert atmosphere  but also helps the show's editors achieve perfect lip sync.</p> <p> A critical  and popular hit, "Nashville" focuses on a country music star, played  by Connie Britton, who accepts the opening slot on the "Red Lips White  Lies" tour of a new teen sensation, played by Hayden Panettiere, in an  attempt to revive her fading career. The show's creator, producer and writer is  Callie Khouri (who won a screenwriting Oscar for "Thelma and  Louise"); Khouri's husband, T-Bone Burnett, a multiple award-winner in his  own right, is executive music producer.</p> <p> The  production has rented a large warehouse in Nashville, constructing a 2D/3D  green screen virtual stage set that can be made to look like different cities  as the show's fictional concert tour progresses. Tasked with finding a speaker  system capable of delivering the requisite power and clarity, the show's sound  mixer, Joe Foglia, CAS, of Southeast Audio Services, contacted his longtime  friend and vendor, Mike Harris, of Harris Audio in Miami, for a recommendation.  "Without hesitation Mike insisted that we consider QSC," reports  Foglia, whose background encompasses over three decades of live and studio  recording as well as film and television sound, during which he has picked up  six Emmy nominations, &nbsp;and one win for NBC's "Scrubs."</p>  <p><img src="http://www.qscaudio.com/press/content/images/Nashvill02.png" alt="" style="-webkit-user-select: none"> </p> <p>In seeking  a solution that would meet the sonic requirements of the audio team while also  appealing to the show's set designers, Foglia consulted with QSC Director of  Marketing Communications Ray van Straten who recommended a combination of K and  KW Series loudspeakers for the various stations.&nbsp; Foglia relates,  "Two <a href="/products/Loudspeakers/KW_Series_Active/">KW181</a> subwoofers are positioned under the stage while two KSub subwoofers reside  under the drum riser. Onstage we use <a href="/products/Loudspeakers/KW_Series_Active/">KW122s</a>. We have four down  the front, four down the rear, two on the drummer, one on the keyboard, one on  the pedal steel, two for the background vocals and two for Connie and  Hayden." The production recently also built a replica of Nashville's famed  Bluebird Cafe music venue, which uses a pair of <a href="/products/Loudspeakers/K_Series_Active/">K8s</a> above the stage for the  audience and a pair of <a href="/products/Loudspeakers/K_Series_Active/">K10s</a> for the performers.</p> <p>"We  use Pro Tools for playback. It's got to be loud and it's got to be clean but it  can't overpower the stage," says Foglia. Although the actors are  performing to pre-recorded music tracks, he records the actors singing.  "They need a clean, audible track of the singing to get the lip sync 100  percent, even though we use time code. Even in a big, echoey hall, the QSCs are  cutting through."</p> <p>  Furthermore,  says Foglia, "The actors can feel it; the stage vibrates because of the  subs, so everybody gets in the mood. And they bring in a thousand extras and  plant them around the stage, so it needs to be good enough for them to get into  it, too. The QSCs kick butt, and they're very clear."</p> <p>  He  elaborates, "I wanted a real strong sub under the drum riser. Through Pro  Tools we send the drum set to the subs so the drummer can get the feel.  Sometimes we just send a click track. We use those subs and cut off the top  frequencies as much as we can; it's basically a thumper. The dialog is not  affected because it's way above the frequency range of the sub."<br>   The  initial episode of "Nashville" included concert footage filmed at  Nashville's Bridgestone Arena, using production elements from Rascal Flatts'  touring set, but not the band's sound system. "I've used QSC amps all my  life, so I ended up going with QSC speakers, because they're compact and  powerful," says Foglia. When the "Nashville" production  relocated to its soundstage, "We had to have the best quality sound-so  that's why I stayed with QSC," he adds.</p> ]]></description>
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<title><![CDATA[QSC Strengthens its Sales and Marketing Teams with Senior Management Promotions]]></title>
<link>http://www.qscaudio.com/press/news.php?id=421</link>
<pubDate>Thu, 21 Mar 2013 20:27:21 GMT</pubDate>
<description><![CDATA[<i></i><br><br><p><img src="http://www.qscaudio.com/press/content/images/et-promo.jpg" alt=""/></p> <p><strong>Costa Mesa, CA</strong> (March 19, 2013) - QSC Audio  Products, LLC. is pleased to announce the promotions of several senior managers  to new leadership roles within its powerful global sales and marketing teams.  Gina Bergmann has been promoted to Senior Director, Sales Operations and US  Sales; David Fuller has been promoted to Senior Director, International Sales  and Technical Marketing, and Ray van Straten has been promoted to Senior  Director, Marketing Communications and Training & Education.</p> <p> &ldquo;I  am very excited about these management changes and the opportunities they  represent for our company's future,&rdquo; states Joe Pham, QSC President and CEO.  &ldquo;David, Gina and Ray each have proven track records of success, building teams  from the ground up and being advocates for approaching our business  differently. In addition, they all have a strong background in sales which  gives them a unique perspective on how they approach the non-sales aspect of  their roles.&rdquo;</p> <p>  Gina  Bergmann will be leading both the Sales Operations and US Sales Teams at QSC.  Gina originally joined QSC Sales Operations 12 years ago and has worked in both  the Retail and Concert divisions, moving on to manage QSC Strategic Accounts, and  most recently managing both Sales Operations and Strategic Accounts. Gina will  also maintain responsibility for Channel Management Strategy.</p> <p> &ldquo;When  I first joined QSC, I couldn't imagine having a role informing the direction of  the company,&rdquo; says Bergmann. &ldquo;Today, I could not be more excited about the  opportunity to work alongside such an incredible group of people in shaping the  direction of the Sales and Marketing teams of the future, and propelling our  next phase of growth.&rdquo;</p> <p>  David  Fuller will be leading both the Technical Marketing & International Sales  Teams at QSC. David came to QSC three years ago, first managing the Asia  Pacific region, then relocating to the headquarters in Costa Mesa facility to  head up the Technical Marketing team. In this role, David built an  extraordinarily high caliber of talent and tools for the benefit of QSC customers.  &ldquo;Becoming a global organization is a critical component of QSC's mission  statement, and I'm very excited at the prospect of playing a part in that.  Furthermore, the International Sales Team at QSC has never been stronger, and  it is my privilege to lead such a talented group of industry professionals.&rdquo;</p> <p>  Ray  van Straten will be leading both Marketing Communications and the Training  & Education Team at QSC. Throughout his ten years with QSC, Ray has served  as Retail Market Manager, Director of Entertainer Solutions, and most recently  managing the company's Marketing Communications Team. In addition to assuming  the new Training & Education responsibilities, Ray will also continue to oversee  Worldwide Artist Relations and Public Relations.<br>   &ldquo;Being asked to serve the needs of our growing  company in this way is both an honor and a privilege,&rdquo; expresses Ray van  Straten. &ldquo;The caliber of talent at QSC is second to none in the industry and  our brand's success is a reflection of that. I truly look forward to what lies  ahead.&rdquo;</p>]]></description>
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<title><![CDATA[QSC Spreads The Word At Shore Church, New Zealand]]></title>
<link>http://www.qscaudio.com/press/news.php?id=420</link>
<pubDate>Thu, 21 Mar 2013 15:57:44 GMT</pubDate>
<description><![CDATA[<i></i><br><br><p><img src="http://www.qscaudio.com/press/content/images/nz-church.jpg" alt=""/></p> <p><strong>Albany, Auckland, New Zealand (March 15, 2013) </strong> -Every Sunday the  Shore Community Church congregates in the Albany Junior High School's sports  hall. This requires them to set up and pack down their own audio equipment  before and after each service. In the past they had used an ageing, very large and  heavy audio system. The challenge assigned to local installer Halogen Audio was  to find a system that met the church's high audio expectations whilst also  meeting their requirements for portability and ease of set up. They tried out  various options, but were only satisfied when Halogen Audio supplied a QSC <a href="http://qsc.com/products/speakers/KLA/" target="_blank">KLA ActiveLine</a> Array System,  consisting of four KLA12 elements and two KW181 subwoofers.</p> <p> The church required an audio system  that was suitable for both speech and the church band. It needed to provide  high quality, even sound coverage across the large hall space, and the  allowance to grow with the church into a larger venue. The KLA speakers are  very versatile in terms of mounting options, so they can easily be used as part  of an installed system when the church moves into a permanent venue. The QSC  system also won favours from the congregation for the ease with which it could  be set up and packed away each Sunday - with its simple lift, click and play  approach, the fixed arcuate, active line array system can be deployed in a  fraction of the time required by comparable line array products.</p> <p> The Shore Community Church was so happy  with the KLA system that they decided to add a full <a href="http://qsc.com/products/speakers/k_series/" target="_blank">QSC K Series </a> monitor system to their order with Halogen  Audio, consisting of four K12 Active Loudspeakers and a K8 dedicated to  monitoring a drum kit. The 1000W amplification and six-year warranty on the K  Series, in particular, helped to swing the deal.</p> <p> Dave  Simpson, leader of the Shore Community Church, explains: "The level of  support we received from Halogen Audio, coupled with the high quality and  suitability of the QSC equipment for our application, meant we were very  comfortable placing an order for the equipment." </p>]]></description>
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<title><![CDATA[QSC Presents Charity Golf Tournament to Benefit Sandy Hook School Support Fund]]></title>
<link>http://www.qscaudio.com/press/news.php?id=419</link>
<pubDate>Thu, 14 Mar 2013 15:53:43 GMT</pubDate>
<description><![CDATA[<i></i><br><br><p><strong><a href="http://qschome.com/golf-tournament/" target="_blank"><img border="0"  alt="" src="http://qschome.com/files/cache/ed786f31a7d26b50f2651229452dcc63_f146.png" width="770" height="215"></a></strong></p> <p><strong>Costa Mesa, CA</strong> (March 12, 2013) - In the wake of the  tragic elementary school shootings this past December, QSC Audio Products, LLC,  will present a golf tournament on May 4, 2013 at the Tustin Ranch Golf Club in  Tustin, CA to benefit the Sandy Hook School Support Fund. </p> <p> There  are a variety of ways for both companies and individuals to partner with QSC to  benefit this worthwhile cause, from corporate sponsorships, banner displays,  gift bags, foursomes, contest sponsorships, meal sponsorships, and individual golfer  registration and lunch tickets.</p> <p> &ldquo;We  welcome golf enthusiasts from across the industry in aiding this very  worthwhile cause,&rdquo; states Joe Pham, QSC President and CEO. &ldquo;Now is the time for  those that can to lend their support, whether as sponsor, player, or simply by  offering a charitable donation. We are very grateful for participation at any  level.&rdquo;</p> <p>  The  event will begin at 7:00 a.m. with onsite registration, and highlights of the  day will include a helicopter ball drop, an awards ceremony for the top golf  foursomes, breakfast and lunch buffets, prize drawings, and several contests  including a closest-to-the-pin contest, hole-in-one contest, and longest drive  contest. </p> For more information on sponsorship  opportunities, or to sign-up for the golf event, please visit <a href="http://qschome.com/golf-tournament/" target="_blank">QSC Golf Tournament</a> page.  Registration and sponsorship deadline is April  15, 2013.]]></description>
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<title><![CDATA[QSC Releases EASE.GLL Data Files for its Entire Loudspeaker Line]]></title>
<link>http://www.qscaudio.com/press/news.php?id=418</link>
<pubDate>Sat, 02 Mar 2013 01:08:29 GMT</pubDate>
<description><![CDATA[<i></i><br><br><p><strong>Costa Mesa, CA</strong> (March 4, 2013) -QSC  has further strengthened its position as a leader in the systems integration  market with the release of complete EASE .GLL data files for its entire  loudspeaker line, including <a href="http://www.qscaudio.com/products/speakers/acoustic_design/acousticdesign.htm" target="_blank">AcousticDesign</a>, <a href="http://www.qscaudio.com/products/speakers/ap/" target="_blank">AcousticPerformance</a>, <a href="http://www.qscaudio.com/products/speakers/k_series/" target="_blank">K Series</a>, <a href="http://www.qscaudio.com/products/speakers/k_series/" target="_blank">KW Series</a>, <a href="http://www.qscaudio.com/products/speakers/KLA/">KLA Series</a>, <a href="http://www.qscaudio.com/products/speakers/wideline-8/" target="_blank">WideLine</a> and others. </p>  <p>"Unlike legacy file formats such as .efo, .spk, and .dll, these new .GLL files can work across all three popular platforms; EASE Address, EASE Focus 2, and the full 3D modeling version of EASE 4.3," states David Fuller, QSC Director of Technical Marketing. "This has been a great effort from our engineering team, not only in the file creation, but also in the hours spent collecting & validating the mechanical and acoustical data." </p> <p> QSC Director of Marketing Communications Ray van Straten adds, "By offering consultants and contractors this enhanced ability to integrate our loudspeaker products into their EASE-based design proposals, we are now able to deliver these channel partners a more compelling business solution that fully compliments our products' sonic performance."</p> <p> <a href="http://qsc.com/support/resources/ease_downloads.htm#Ease_Data">Click here to visit the QSC EASE library</a><br> </p> ]]></description>
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<title><![CDATA[QSC Speakers & Amps Score With Style At The Reborn Hotel Victoria]]></title>
<link>http://www.qscaudio.com/press/news.php?id=417</link>
<pubDate>Thu, 28 Feb 2013 16:43:32 GMT</pubDate>
<description><![CDATA[<i></i><br><br> <p><img src="http://www.qscaudio.com/press/content/images/rhv01.jpg" alt=""/></p> <p><strong>Donetsk, Ukraine, Europe</strong> (February, 2013) - The Victoria Hotel  & Conference Center is the finest venue in Donetsk, capital of the Donets  Basin region of the Ukraine. It is also situated very close to the Donbass  Arena, home of local soccer heroes (and 2009 UEFA Cup winners) FC Shakhtar  Donetsk (FCSD), and one of the venues for last year's Euro 2012 tournament.</p> <p>  In  preparation for Euro 2012, which saw a sizeable portion of the UEFA delegation  staying at the Victoria, the hotel was thoroughly refurbished and all of its  audio systems were renewed throughout. Odessa-based installer Real Music, who  are also the QSC distributor for Ukraine, were responsible for installing all  of the PA/VA speakers and systems. A <a href="http://www.qscaudio.com/products/speakers/ila/" target="_blank">QSC ILA line array</a> comprising 16 WL2082-i elements (eight left, eight  right) and four WL118-sw subwoofers was used in the main conference hall at the  Victoria, where all of the pre- and post-match press conferences were held  during the tournament. The array was driven by a combination of four <a href="http://www.qscaudio.com/products/amps/plx2/" target="_blank">PLX3102</a> amps, plus a <a href="http://www.qscaudio.com/products/amps/plx2/" target="_blank">PLX1104</a> and an <a href="http://www.qscaudio.com/products/amps/rmx/rmx.htm" target="_blank">RMX5050</a>, and managed by an <a href="http://www.qscaudio.com/products/dsp/sc28/sc28.htm" target="_blank">SC28</a> system controller.</p> <p><img src="http://www.qscaudio.com/press/content/images/rhv03.jpg" alt=""/></p>  <p>A  slightly smaller version of the same system was used in the main hotel  restaurant, with eight WL2082-i elements, six WL118-sw subs, and a pair of PLX3102  amps, together with RMX 4050HD, RMX 850, and PL380 amps and another SC28 system  controller. Music in the hotel's second, smaller restaurant was provided by six <a href="http://www.qscaudio.com/products/speakers/kw_series/" target="_blank">KW Series Active KW153</a> three-way speakers and a pair each of <a href="http://www.qscaudio.com/products/speakers/kw_series/" target="_blank">KW122</a> two-way units and <a href="http://www.qscaudio.com/products/speakers/kw_series/" target="_blank">KW181</a> subs. Finally, a system comprising a  pair of multi-purpose <a href="http://www.qscaudio.com/products/speakers/acoustic_design/acousticdesign.htm" target="_blank">AD-S82</a> speakers and eight further compact <a href="http://www.qscaudio.com/products/speakers/acoustic_design/acousticdesign.htm" target="_blank">AD-S52Ts</a>, driven respectively by <a href="http://www.qscaudio.com/products/amps/isa/isa.htm" target="_blank">ISA-500Ti</a> and <a href="http://www.qscaudio.com/products/amps/isa/isa.htm" target="_blank">ISA-300Ti</a> amplifiers, was used in the hotel  lobby, ensuring good coverage in all of the hotel's public spaces.</p> <p><img src="http://www.qscaudio.com/press/content/images/rhv02.jpg" alt=""/></p>  <p>Vladimir  Golovan, brand manager at Real Music's pro audio department, explained the  choice of QSC amps and speakers at the Hotel Victoria. "We believed that  this was the best equipment on the market to fulfil the hotel's requirements  given their budget, and after we had demonstrated it to the owners, they  believed us. The management were delighted and said they had never before heard  better."</p>]]></description>
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<title><![CDATA[QSC Audio Products Appoints Mark Mayfield as Cinema Marketing Manager]]></title>
<link>http://www.qscaudio.com/press/news.php?id=416</link>
<pubDate>Wed, 20 Feb 2013 22:21:01 GMT</pubDate>
<description><![CDATA[<i></i><br><br><p><img src="http://www.qscaudio.com/press/content/images/Mark-Mayfield.jpg" alt=""/></p> <p><strong>Costa Mesa, CA (February  20, 2013) - </strong>QSC Audio  Products is pleased to announce that Mark Mayfield has joined the company as  Cinema Marketing Manager. In his new role, Mayfield will be responsible for  developing and executing marketing programs as well as providing sales and  technical support for the acclaimed QSC Cinema line of products.<strong> </strong></p> <p>  Mark<strong> </strong>has had a rich career working in the  audio industry, working as a recording/live sound engineer, as well as  extensive experience in cinema product marketing for firms including Bose  Corporation, Harman International (JBL Professional), and Eastern Acoustics  Works. Prior to joining QSC, Mayfield has held several editorial positions,  launching several major industry trade publications, and has authored dozens of  articles and reports on cinema sound and AV technology and their various  applications. Mark has presented cinema sound seminars in Europe, Asia, and  North America, and is an adjunct faculty member of the InfoComm Academy.  Mayfield holds a BS from St. Lawrence University and an MBA from Boston  College.</p> <p> &ldquo;I have spent much of my career focusing on  cinema, and I'm thrilled at the opportunity to make a difference in the quality  of sound in the cinema marketplace, especially working with a prestigious brand  like QSC,&rdquo; says Mayfield.  &ldquo;The team of  experienced cinema sound professionals here is unmatched anywhere in the  industry, and it's truly an honor to be part of that.&rdquo;</p>]]></description>
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<title><![CDATA[QSC Systems Grace International Award-winning Danish Hotel]]></title>
<link>http://www.qscaudio.com/press/news.php?id=415</link>
<pubDate>Wed, 20 Feb 2013 22:06:47 GMT</pubDate>
<description><![CDATA[<i></i><br><br><p><img src="http://www.qscaudio.com/press/content/images/Danish-Hotel.jpg" alt=""/></p> <p><strong>Copenhagen, Denmark, Europe</strong> (February 13, 2013) - The  award-winning Bella Sky Comwell hotel in the Danish capital Copenhagen chose  the <a href="http://www.qscaudio.com/products/network/QSys/Q-Sys_Software.php" target="_blank">Q-Sys(tm)</a> integrated platform from QSC to route  and manage much of its extensive audio infrastructure, from background music to  conference audio.</p> <p> The  instantly recognisable hotel, with its dual 'leaning towers' design, was built  in late 2011 as part of the Bella Center Conference venue on Amager, the island  off Copenhagen where the city's main airport and the Danish access to the  international bridge and tunnel across the Øresund (Gravel Sound) to Sweden are  situated. Since opening it has won several accolades, including an  International Hotel Award for Best Architecture in Europe for its unique  'twisted pair' of towers, which are designed to ensure more guests obtain an  uninterrupted view of of the capital in one direction, or the impressive  Øresund Bridge in the other.</p> <p> Local  audio-visual integrator AV-Huset a/s were responsible for the audio  infrastructure at the hotel, and chose Q-Sys as the management platform,  installing a comprehensive system supplied by Danish QSC distributor EM Nordic.  Run from a control room in the hotel basement, the Bella Sky Q-Sys comprises a <a href="http://www.qscaudio.com/products/network/QSys/Q-Sys_core.php" target="_blank">Core 1000</a> linked to 10 I/O Frames around the  building, 21 <a href="http://www.qscaudio.com/products/amps/isa/isa.htm" target="_blank">ISA</a> amplifiers, a total of 10 compact two-way QSC AD-S 52  and 82 loudspeakers distributed amongst the hotel's four bars and two restaurants,  together with no less than 144 QSC <a href="http://www.qscaudio.com/products/speakers/acoustic_design/acousticdesign.htm" target="_blank">AD-CI52ST</a><a name="_GoBack"></a> discreet ceiling-mount speakers in  the reception and other communal areas.Q-Sys is mainly responsible for background  music facilities at Bella Sky, althoughmic- and line-in options are provided in  some of the hotel's 28 meeting rooms and three conference halls, so audio can  be networked for projections and corporate presentations.</p> <p> In  the conference halls, Q-Sys also interfaces with a third-party environmental  control system, as Ashley Cooke of EM Nordic explains:"It was my first  installation with Q-Sys, and we had to ensure it would integrate with the  third-party control system. I was concerned it would take a while, but it was  literally a question of sitting down with the installers for 15 minutes, and then  Q-Sys was all hooked up. I thought I might get some calls from them asking for  support, but everything just worked - the next thing I knew, the hotel was open  and winning awards!</p> <p> &ldquo;One  of the advantages of Q-Sys is that is doesn't need dedicated custom cabling. So  at Bella Sky, the system runs via the hotel's existing IT infrastructure, which  made for <em>huge</em> savings on installation  costs, considering that the same audio channels often need to be routed  simultaneously to the ground floor in one tower and the 23rd floor in the  other!</p> "The hotel management werealso pleased  about the expandability of the system. We originally installed a  fixed-architecture system running the then-current version 2.0 software and  firmware, with 24 inputs and 68 outputs. You can imagine the smile on the faces  of the installers and the customers when they were informed that future channel  expansion would just require the latest firmware update -so they could make use  of the new Flex Channels, which can be either inputs or outputs - and not the  purchase of a bigger core as they had expected. Partly because of that, plans  are now being drawn up to extend the Q-Sys network across the whole of the  Bella Center conferencing facility."]]></description>
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<title><![CDATA[QSC Audio Announces the New “Obsessed” Contest]]></title>
<link>http://www.qscaudio.com/press/news.php?id=413</link>
<pubDate>Fri, 15 Feb 2013 16:52:20 GMT</pubDate>
<description><![CDATA[<i></i><br><br><p><strong><a href="http://www.passionforaudio.com/obsessed/" target="_blank"><img src="http://www.qscaudio.com/press/content/images/obsessed.jpg" alt=""/></a></strong></p> <p><strong>Costa Mesa, CA</strong> (February 14, 2013) - QSC Audio Products LLC announces the launch today of  their new &ldquo;Obsessed&rdquo; Contest, inviting their most loyal customers and devotees  to demonstrate their affinity for their products, and tell the story of their  Obsession with QSC for a chance to win $5,000 in free gear. </p> <p> QSC  already knows that their customers are very special and share loyalty to the  brand and products - and often, they are compelled to share their story with  others. Each of them has reasons why they chose QSC products for the first  time. Some speak about the company's great service and support. Some boast that  their QSC products have been in continuous use for 20 years or more.  Others talk about QSC products performing to  perfection under extremely harsh environmental conditions.  Over the years, QSC has been told stories of  their products surviving ridiculous calamities only to continue to function  flawlessly. While no two Obsessed customers are exactly alike, they do share  one common trait - They love QSC!</p> <p> The  &ldquo;Obsessed&rdquo; contest is an opportunity for these loyal and enthusiastic customers  to express their enthusiasm for the QSC brand, and in the process be eligible  to win $5,000 in QSC gear.  Entries can  include written testimony, videos and photographs whereby contestants can show  that they are the most &ldquo;Obsessed&rdquo; with QSC.</p> <p> To enter the contest, please visit the QSC  &ldquo;Obsessed&rdquo; contest page at  <a href="http://www.passionforaudio.com/obsessed"><strong>www.passionforaudio.com/obsessed</strong></a><strong> </strong> or the company's Facebook page at  <a href="https://www.facebook.com/QSCAudioProducts"><strong>https://www.facebook.com/QSCAudioProducts</strong></a><strong>. </strong> <br> </p> <p>The  contest begins on February 14th and will continue through April 30th. </p> ]]></description>
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<title><![CDATA[QSC Announces Q-Sys Designer 3.1, Including Telephony/VoIP Options]]></title>
<link>http://www.qscaudio.com/press/news.php?id=414</link>
<pubDate>Wed, 13 Feb 2013 17:35:16 GMT</pubDate>
<description><![CDATA[<i></i><br><br><p><strong><a href="http://qsc.com/products/network/QSys/"><img src="http://www.qscaudio.com/press/content/images/q-Core250.jpg" alt=""/></a></strong></p> <p><strong>Costa Mesa, CA</strong> (February 10, 2013) - QSC Audio  Products, LLC announces the latest upgrade to Q-Sys Designer, Version 3.1. The  v3.1 upgrade to the design and control software for the company's Q-Sys(tm)  Integrated Platform, Q-Sys Designer, adds Voice-over-IP capabilities and  interfacing support for IP PBXs and analogue telephone systems via third-party  FXO Gateways. With the update installed, telephone calls may now be routed into  Q-Sys, or Q-Sys audio may be connected to external phone lines, further  enhancing the existing fully-featured conferencing capabilities of the Q-Sys  platform.</p> <p><br>   "Q-Sys  was born of the idea that we could provide an integrated system management  platform based on standard, affordable Intel(R) architecture at a  fraction of the price of systems using custom-designed processors and chipsets  - and this upgrade continues that philosophy," comments Joe Peavey, Q-Sys  Product Manager at QSC. "Sure, you can buy dedicated interfaces to  interface analogue phone lines with digital conferencing systems, but they're  expensive, especially the ones that allow many lines to be active simultaneously,  which quickly run to thousands of US dollars.</p> <p><br>   "In  contrast, the Q-Sys Designer 3.1 update allows you interface IP PBXs with Q-Sys  quickly and simply, and if users want to route analogue phone lines in too, all  that is required to do it is an FXO Gateway. There are multi-channel,  Rolls-Royce solutions in that field too, but prices in the United States start  at under 50 dollars for a single-channel box, and even the multi-channel  devices are much more affordable. Also, because VoIP technology is an  international standard, there's no need to have to buy certified analogue equipment  to deal with the national telephone networks in different countries. Best of  all, the Q-Sys update itself is of course completely free."</p> <p><br>   Other  notable features included in the v3.1 software upgrade include: </p> <ul>   <li>  Options for users to record paging notifications by dialling in from their  phones with suitable user PIN and paging access codes, then initiate the  playback of the messages across the Q-Sys-controlled network or system;</li>   <li> The ability for designers to determine a hierarchy of codecs for use with  connected VoIP systems. The system will always try to connect using the  highest-quality codec, and users can now determine the order in which  successive lower-quality codecs will be attempted when a higher-quality codec  is not supported in the connected system;</li>   <li>Improved graphical support for buttons and controls, allowing the use of status  graphics as well as text, including colours, smilies, ticks and crosses, and so  on;</li>   <li>Finer control over individual UCIs (User Control Interfaces, including QSC  touch-screen controllers, iPads and iPhones, or Windows laptops). This includes  the Administrator option of locking down individual UCIs, which could be  useful, for example, once a live event has begun and no further alterations  should be made from local UCIs in a venue;</li>   <li>Improvements to the stability and capabilities of the URL Stream Receiver,  which is now known as the Media Stream Receiver. QSC guidelines now state that  integrated Q-Sys Cores (250i, 500i) can handle up 16 simultaneous channels of  audio from a video media player, while the larger Cores (from the Core 1000 up)  will be capable of managing a maximum of 32 simultaneous channels.<br>   </li></ul>   <p>Combined  with the Acoustic Echo Cancellation (AEC) algorithm provided in the last major  update, the new v3.1 software makes Q-Sys an even more powerful and affordable  solution for boardrooms and other conferencing applications. "Our users  loved the AEC," laughs Joe Peavey, "but about the first thing they  all said last year when they heard about that was 'So when am I going to be  able to connect a phone to this thing?'. The answer to that is: when you've got  v3.1."</p>   <p>    Q-Sys,  the complete integrated system platform that encompasses everything from the audio  input to loudspeakers, provides all the audio routing, processing, control and  monitoring necessary for any facility while maintaining the audio quality and  reliability QSC has come to be known for. Designed for the rigorous  requirements of both small and large-scale venues, the power of Q-Sys has been  demonstrated worldwide in a variety of applications, including stadiums and  arenas, theme parks, performing arts venues, transportation hubs, corporate  boardrooms, convention halls, government facilities, hotels and casinos and  houses of worship.</p>]]></description>
<guid>http://www.qscaudio.com/press/news.php?id=414</guid>
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<title><![CDATA[Saddle Up Saloon and Dancehall Fills the Floor with QSC KW Series Loudspeakers]]></title>
<link>http://www.qscaudio.com/press/news.php?id=412</link>
<pubDate>Mon, 11 Feb 2013 19:52:05 GMT</pubDate>
<description><![CDATA[<i></i><br><br><p><img src="http://www.qscaudio.com/press/content/images/sups.jpg" alt=""/></p> <p><strong>Indianapolis, IN</strong>- The Saddle Up Saloon and Dancehall,  headquartered near Chicago in Aurora, IL, recently expanded its operation,  opening a second location in Indianapolis, IN. Located near the Castleton  Square Mall, close to Indianapolis Metropolitan Airport, the new 13,440-sq.-ft.  venue features three bars, a stage, and a 3,000-sq.-ft. dance floor with sound  from a  QSC <a target="_blank" href="http://www.qscaudio.com/products/speakers/kw_series/">KW  Series</a> Active Loudspeaker System.<br> Local integrator Sean Wooldridge, a former  sales engineer at Sweetwater Sound in Fort Wayne, IN and graduate of the Music Production and Engineering program at  the Berklee College of Music in Boston, MA, installed the QSC system at the  new Western-themed dance club. Even with the massive size of the dance floor,  the power and coverage of the <a target="_blank" href="http://www.qscaudio.com/products/speakers/kw_series/">KW  Series</a> speakers allowed Wooldridge to achieve excellent coverage and  intelligibility with a surprisingly small number of speakers, he reports.</p> <p>&ldquo;We installed six of the <a target="_blank" href="http://www.qscaudio.com/products/speakers/kw_series/">KW122</a> 12-inch  two-way speakers - three on either side of the dance floor. Then there are four  of the <a target="_blank" href="http://www.qscaudio.com/products/speakers/kw_series/">KW181</a> 18-inch subwoofers on the dance floor; we've got a little box for them there,&rdquo;  says Wooldridge. &ldquo;It has a capacity of 1,200 people, and amazingly, the <a target="_blank" href="http://www.qscaudio.com/products/speakers/kw_series/">KW Series</a> speakers covered the whole thing.&rdquo;<br>   <br>   In addition to operating as a nightclub and bar, the  Saddle Up also presents line-dancing lessons for patrons. &ldquo;Every 20 minutes or  so an instructor will go down onto the dance floor with a head-worn mic and  teach. Next thing you know, there's a big line dance going on,&rdquo; says  Wooldridge. &ldquo;So vocal intelligibility is critical in an application like this. And  that's another cool thing about the KW Series Loudspeakers - the clarity is  astonishing.&rdquo;</p> <p>Wooldridge had no hesitation in recommending QSC Audio  products, having experienced K Family loudspeakers first hand while working at  Sweetwater. &ldquo;QSC came in with the K8s, K10s, the K12s and KSubs when they were  first coming out,&rdquo; he recalls. &ldquo;They were playing program material as we walked  into the meeting and it was filling the room with a decent level of sound.  Someone said, 'Can we hear it without the subs?' Actually, they weren't even  using the subs - just the K8s. So I knew these were some pretty serious  speakers!&rdquo;<br>   He  continues, &ldquo;As far as this installation, it makes it a lot easier if you've got  a lot of sound coming out of smaller box. It just ends up being an easier  installation. The processing in the KW boxes  makes them easy to manage and made my job a breeze. I knew that QSC was the way to go for  Saddle Up.&rdquo; </p> ]]></description>
<guid>http://www.qscaudio.com/press/news.php?id=412</guid>
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<title><![CDATA[Leading Musical Artists Join the QSC K for Musicians Family]]></title>
<link>http://www.qscaudio.com/press/news.php?id=411</link>
<pubDate>Wed, 30 Jan 2013 00:46:07 GMT</pubDate>
<description><![CDATA[<i></i><br><br><p><a href="http://www.kformusicians.com" target="_blank"><img src="http://www.qscaudio.com/press/content/images/kfm-all-artist.jpg" alt=""/></a></p> <p><strong>Costa Mesa, CA </strong> (January 24, 2013) - QSC Audio Products, LLC  is very pleased to announce of the addition of several acclaimed musicians to  their rapidly expanding <a target="_blank" href="http://www.kformusicians.com">K for Musicians</a> family, including songwriter,  keyboardist, and longtime '<em>Journey</em>'  member Jonathan Cain, '<em>The Rolling  Stones'</em> bassist Darryl Jones, keyboardist Salo Loyo, drummer Dave Weckl and  guitarist Dweezil Zappa. </p> <p> According  to Darryl Jones, his bass rig, consisting of a pair of KW122s and a KW181  subwoofer, gives him a clean, powerful sound which is extremely versatile to  suit the many different types of music he regularly plays.  &ldquo;Because I am involved in a lot of different  kinds of music--rock and roll, electronic jazz, sounds with synth bass, solo  projects with effects-- I always try to find the sound that fits the music I am  playing. For rock and roll sounds, I use a tube amp sound. I find that I can  use the rig for really big sounds like synth bass and bass with lots of  effects, sequences that I am playing along with. This works great because the  QSC rig is full range. For some of the other things that I am doing, I need a  more of a pure, really clean, clear, powerful sound. That's one of the things  that led me to QSC,&rdquo; explains Jones.</p> <p> &ldquo;My  rig sounds fantastic with very little, if any, EQ&nbsp;on the speakers,&rdquo;  reports Dave Weckl. &ldquo;The <a target="_blank" href="http://qscaudio.com/products/speakers/kw_series/">KW Series</a> reproduces my acoustic drum sound in a very natural, yet very high fidelity,  manner. And the headroom is unbelievable; the rig has much more power than I  ever use on stage.&rdquo;</p> <p>  &ldquo;I  honestly have never used any keyboard amp, speaker, PA system, wedge or in-ear  system that comes even close to the sound and response I get from my <a target="_blank" href="http://qscaudio.com/products/speakers/k_series/K_series_Ksub.php">K Series</a>,&rdquo; says Salo Loyo.  &ldquo;The sound is pure, clean and powerful. I  don't have to worry about competing with anybody to be heard. And it's not just  volume; I can play at any level and the sound cuts thru beautifully and  clearly, without hurting anyone's hearing.&rdquo;</p> <p>  Jonathan  Cain adds, &ldquo;I was amazed at the way that the K's can really rock. I don't think  for the money, they can be beat. You would have to spend three, four times that  amount of money to get something to come close.&rdquo;</p> <p>  Finally,  Dweezil Zappa sums it up to say that his KW Series rig helps him have the sound  that inspires him: &ldquo;To make good music you have to be inspired by the sound,  and I think my current setup is the best that I've had,&rdquo; he says.  &ldquo;It does have more response with articulation  - with the things that I play and with the nuances that I can get by inducing  feedback or those things that you would expect from a guitar amp/speaker  setup.  I get the full-range frequency  response but I also get the feel of pushing enough air so that it feels like a  guitar cabinet.&rdquo;</p> <p>  Visit Jonathan Cain's  artist page at: <a target="_blank" href="http://kformusicians.com/english/artists/jonathan-cain/">http://kformusicians.com/english/artists/jonathan-cain/</a>.<br>   Visit Darryl  Jones's artist page at: <a target="_blank" href="http://kformusicians.com/english/artists/darryl-jones/">http://kformusicians.com/english/artists/darryl-jones/</a>.<br>   Visit Salo  Loyo's artist page at: <a target="_blank" href="http://kformusicians.com/english/artists/salo-loyo/">http://kformusicians.com/english/artists/salo-loyo/</a> <br>   Visit Dave  Weckl's artist page at: <a target="_blank" href="http://kformusicians.com/english/artists/dave-weckl/">http://kformusicians.com/english/artists/dave-weckl/</a>.<br>   Visit Dweezil  Zappa's artist page at: <a target="_blank" href="http://kformusicians.com/english/artists/dweezil-zappa/">http://kformusicians.com/english/artists/dweezil-zappa/</a>.</p> <p>  These acclaimed  artists join a long list of others in the QSC K for Musicians Family, such as  Omar Hakim, David Matthews, Paul Pesco, Shawn Pelton, Tony Levin and many  others. </p> <p><strong>About </strong><a target="_blank" href="http://www.kformusicians.com"><strong>K for Musicians</strong></a><strong> </strong><strong> </strong><br>   Musicians themselves were the genesis  for the creation of <a target="_blank" href="http://www.kformusicians.com">KforMusicians.com</a>, leading the way via online forum  discussions touting the company's active loudspeakers as the perfect solution  for accurate sound reproduction of digital sources in a live application. The  QSC K for Musicians<strong> </strong>website, currently available in English, Spanish,  French, Russian, and Turkish offers multiple examples of how K Family  loudspeakers can be used for musical instrument reproduction in common, live  performance applications. There are distinct areas for Electric Guitar,  Acoustic Guitar, Bass Guitar, Keyboards, Electronic Drums and Acoustic Drums -  as well as compelling K for Musicians artist profiles, photos and interviews.  And the common sentiment heard over and over is that the K Family allows  musicians to be more expressive, add nuance and greater dynamics, and produce  more creative and inspired live performances.<br> <a target="_blank" href="http://www.kformusicians.com">www.kformusicians.com</a></p>]]></description>
<guid>http://www.qscaudio.com/press/news.php?id=411</guid>
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<title><![CDATA[Rolling Stones’ Bass Player Darryl Jones Joins the K for Musicians Family]]></title>
<link>http://www.qscaudio.com/press/news.php?id=410</link>
<pubDate>Wed, 30 Jan 2013 00:44:38 GMT</pubDate>
<description><![CDATA[<i></i><br><br><p><a target="_blank" href="http://kformusicians.com/english/artists/darryl-jones/"><img src="http://www.qscaudio.com/press/content/images/Darryl-Jones.jpg" alt=""/></a></p> <p><strong>Costa Mesa, CA </strong>(January 24, 2013) - QSC Audio  Products, LLC is pleased to welcome bassist Darryl Jones to the rapidly  expanding list of musicians who have joined the <a target="_blank" href="http://www.kformusicians.com">K  for Musicians</a> family.  A celebrated musician who has played with some of the most acclaimed artists,  in jazz, blues, and the rock music worlds, Jones is the bassist for The Rolling  Stones.</p> <p> Jones  had his first introduction to the <a target="_blank" href="http://www.qscaudio.com/products/speakers/k_series/">K Series</a> and <a target="_blank" href="http://qscaudio.com/products/speakers/kw_series/">KW Series</a> while on tour, interestingly, by two drummers - Omar Hakim and Dave Weckl. &ldquo;Omar  Hakim told me he was playing his electronic drum kit through a QSC rig and  recommended it to me. Then I was out on tour with Oz Noy and Dave Weckl, who was  using it for his drum monitoring system. When I heard what was he was doing  with it, I asked him to hook me up with the guys at QSC,&rdquo; says Jones. </p> <p> According  to Jones, his bass rig, consisting of a pair of KW122s and a KW181 subwoofer, gives  him a clean, powerful sound which is extremely versatile to suit the many  different types of music he regularly plays.  &ldquo;Because I am involved in a lot of different  kinds of music--rock and roll, electronic jazz, sounds with synth bass, solo  projects with effects-- I always try to find the sound that fits the music I am  playing. For rock and roll sounds, I use a tube amp sound. I find that I can  use the rig for really big sounds like synth bass and bass with lots of  effects, sequences that I am playing along with. This works great because the  QSC rig is full range. For some of the other things that I am doing, I need a  more of a pure, really clean, clear, powerful sound. That's one of the things  that led me to QSC,&rdquo; explains Jones. </p> <p> Darryl  Jones began his career performing with Miles Davis and played bass guitar on  the Davis albums <em>Decoy</em> and <em>You're Under Arrest</em>. Jones has worked  with jazz artists such as Herbie Hancock, Mike Stern, John Scofield, and Steps  Ahead, as well as pop and rock artists like Sting, Peter Gabriel, Madonna, and Eric  Clapton. For the last 19 years, Darryl Jones has been the bassist for The Rolling  Stones.  In addition, he is currently working  on a number of projects including Three Brave Souls with John Beasley, and rock  trio called The Stone Raiders.</p> <p> The  Stone Raiders is a rock trio, but is kind of 'blues forward'-- it is blues-based  music that is more aggressive,&rdquo; adds Jones. &rdquo;The KW Series fits in well with  that, because when I need to play at a high volume level, it's clean and  clear.  When I want to dirty up that  sound, I can add the tube amp to do that. So I can cover a lot of ground with  the QSC rig.&rdquo;</p> <p>  Visit  Darryl Jones's artist page at: <a href="http://kformusicians.com/english/artists/darryl-jones/" target="_blank">http://kformusicians.com/english/artists/darryl-jones/</a></p> <p><br>   <strong>About K for Musicians </strong><br>   Musicians themselves were the genesis  for the creation of <a target="_blank" href="http://www.kformusicians.com">KforMusicians.com</a>, leading the way via online forum  discussions touting the company's active loudspeakers as the perfect solution  for accurate sound reproduction of digital sources in a live application. The  QSC K for Musicians website, currently available  in English, Spanish, French, and Russian, offers multiple examples of how K  Family loudspeakers can be used for musical instrument reproduction in common,  live performance applications. There are distinct areas for Electric Guitar,  Acoustic Guitar, Bass Guitar, Keyboards, Electronic Drums and Acoustic Drums -  as well as compelling K for Musicians artist profiles, photos and interviews.  And the common sentiment heard over and over is that the K Family allows  musicians to be more expressive, add nuance and greater dynamics, and produce  more creative and inspired live performances.</p> <p><a target="_blank" href="http://www.kformusicians.com">www.kformusicians.com</a></p>]]></description>
<guid>http://www.qscaudio.com/press/news.php?id=410</guid>
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<title><![CDATA[Jonathan Cain Joins the QSC K Family]]></title>
<link>http://www.qscaudio.com/press/news.php?id=409</link>
<pubDate>Wed, 30 Jan 2013 00:43:18 GMT</pubDate>
<description><![CDATA[<i></i><br><br><p><a target="_blank" href="http://kformusicians.com/english/artists/jonathan-cain/"><img src="http://www.qscaudio.com/press/content/images/Jonathan-Cain.jpg" alt=""/></a></p> <p><strong>Costa Mesa, CA </strong>(January 24, 2013)<strong> </strong>- QSC Audio Products, LLC is pleased to welcome songwriter, keyboardist,  longtime '<em>Journey</em>' member Jonathan  Cain into the <a target="_blank" href="http://www.kformusicians.com">K for Musicians</a> family. </p> <p> Cain  first discovered the <a target="_blank" href="http://qscaudio.com/products/speakers/kw_series/">KW Series</a> when looking for a PA system for his daughter. &ldquo;I started with the K's when my  daughter Madison, who is a singer, needed a PA to do gigs around town.  This was my first QSC experience, and I was  amazed at the vocal presence, they are great vocal monitors,&rdquo; says Cain. &ldquo;My  wife also likes to have dance parties, so I set them up at home and bought the  big sub. Once again, I was amazed at the way that the K's can really rock. I  don't think for the money, they can be beat. You would have to spend three,  four times that amount of money to get something to come close.&rdquo; </p> <p>At Addiction Sound Studios in Nashville, Cain's studio  with fellow engineer, producer and musician David Kalmusky, the vibe is one of  a recording studio with the feel of a rehearsal space where artists can record and  also sing and play live. And the QSC KW Series helps to give them the sound  that they need. </p> <p>&ldquo;We like the sound of QSC speakers because of their  ability to reproduce vocals in such a great way. They're lightweight, perfect  size for what we wanted for the studio. We have a subwoofer, as well, that we  can use in tandem,&rdquo; adds Cain. &ldquo;In addition to the QSC speakers and monitors  for the live PA in the cutting room, we're using the PLX2 reference amplifiers  for monitors A and B, as well as in the chamber. It's a lot of power, a lot of  clean power, the kind that you want to listen to, in critical situations. In  critical situations, QSC always comes through.&rdquo;</p> <p>  Cain  and <em>'Journey'</em> recently wrapped up a  tour throughout the U.S and Canada with <em>'Loverboy'</em> and Pat Benatar and Neil Giraldo. He has received two of the most prestigious BMI  songwriter awards for the Most Performed Song of the Year ( over two million or  more radio plays) for  the songs, "Open  Arms" and "Who's Crying Now", co-written with Steve Perry. The  Journey song, "When You Love a Woman", which he co-wrote with Perry  and Neal Schon, was nominated for a Grammy Award. Cain has written songs for a  diverse group of artists including: Maria Carey, The Oak Ridge Boys, Heart,  Peter Frampton, Michael Bolton, Sammy Hagar, Kenny Rogers, Greg Allman and  Conway Twitty. <strong>He's also  produced a number of his own solo albums - "Back To The Innocence"  and "Anthology", 'Piano with a View", "Body Language",  "For A Lifetime", "Namaste", "Animated Movie Love  Songs", &ldquo;Bare Bones&rdquo; and &ldquo;Where I Live&rdquo;.</strong><br> Visit  Jonathan Cain's artist page at: <a target="_blank" href="http://kformusicians.com/english/artists/jonathan-cain/">http://kformusicians.com/english/artists/jonathan-cain/</a>.</p> <p> <strong>About </strong><a target="_blank" href="http://www.kformusicians.com"><strong>K for Musicians</strong></a><strong> </strong><strong> </strong><br>   Musicians themselves were the genesis  for the creation of <a target="_blank" href="http://www.kformusicians.com">KforMusicians.com</a>, leading the way via online forum  discussions touting the company's active loudspeakers as the perfect solution  for accurate sound reproduction of digital sources in a live application. The  QSC K for Musicians<strong> </strong>website, currently available in English,  Spanish, French, and Russian, offers multiple examples of how K Family  loudspeakers can be used for musical instrument reproduction in common, live  performance applications. There are distinct areas for Electric Guitar,  Acoustic Guitar, Bass Guitar, Keyboards, Electronic Drums and Acoustic Drums -  as well as compelling K for Musicians artist profiles, photos and interviews.  And the common sentiment heard over and over is that the K Family allows musicians  to be more expressive, add nuance and greater dynamics, and produce more  creative and inspired live performances.</p> <p><a target="_blank" href="http://www.kformusicians.com">www.kformusicians.com</a></p>]]></description>
<guid>http://www.qscaudio.com/press/news.php?id=409</guid>
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<title><![CDATA[Drummer Dave Weckl Joins the K for Musicians Family]]></title>
<link>http://www.qscaudio.com/press/news.php?id=408</link>
<pubDate>Wed, 30 Jan 2013 00:41:22 GMT</pubDate>
<description><![CDATA[<i></i><br><br><p><a target="_blank" href="http://kformusicians.com/english/artists/dave-weckl/"><img src="http://www.qscaudio.com/press/content/images/Dave-Weckl.jpg" alt=""/></a></p> <p><strong>Costa Mesa, CA </strong>(January 24, 2013) - QSC Audio  Products, LLC is pleased to welcome drummer Dave Weckl into the <a target="_blank" href="http://www.kformusicians.com">K  for Musicians</a> family.  A professional drummer since the age of 16, Weckl has been performing for  nearly three decades with a diverse selection of artists, getting his first  major break with Simon and Garfunkel on the duo's 1983 tour.</p> <p> After  being introduced to the QSC <a target="_blank" href="http://qscaudio.com/products/speakers/k_series/">K Series</a> at the 2012 NAMM Show, Weckl auditioned a system at the company's Costa Mesa headquarters  and selected a system for himself comprised of a pair of <a target="_blank" href="http://www.qscaudio.com/products/speakers/kw_series/">KW122's</a> and a single <a target="_blank" href="http://qscaudio.com/products/speakers/k_series/K_series_Ksub.php">KSub</a>.</p> <p> &ldquo;My  rig sounds fantastic with very little, if any, EQ&nbsp;on the speakers,&rdquo;  reports Weckl. &ldquo;The K Series reproduce my acoustic drum sound in a very  natural, yet very high fidelity, manner. And the headroom is unbelievable; the  rig has much more power than I ever use on stage.&rdquo;</p> <p>  According to Weckl, his KW Series setup  has had a very positive effect on the way that he plays. &ldquo;My K rig allows me to  be comfortable, to be able to compete with the other amps and provide a  seriously killing drum sound on stage,&rdquo; he explains. &ldquo;It also gives me the  low-end support I need from the bottom of the kit, which is almost impossible  to find in other systems. This 'comfort factor' allows me to relax, play and  concentrate on the music, which is where my concentration needs to be.&rdquo;</p> <p>Weckl has toured with a wide  range of artists over the years, including a nine-year working relationship  with Chick Corea, in both the keyboardist's Elektric and Akoustic bands. As a  session drummer, Weckl has played with Madonna, George Benson, Barry Manilow  and a host of other jazz, rock, pop and R&B artists. </p> <p>Recently returning from Europe  with Chris Minh Doky and the Nomads, Weckl also frequently performs with  guitarist Mike Stern, Chuck Loeb and Oz Noy. Between tours he can be found at  his home studio in Los Angeles, where he offers a full-service recording and  production service. He has released nine albums as a solo artist, five under  the Dave Weckl Band moniker, and has produced a number of instructional videos  and DVDs.</p> <p>Weckl adds that the K Series  meshes perfectly with his personal approach to audio, capturing the natural  sound of his drums while imparting pleasing hi-fi characteristics, and also  delivering sufficient power even on a loud stage. </p> <p>&ldquo;I've finally found a system  where I don't have to work at getting a good sound, especially where the low  end is concerned,&rdquo; adds Weckl. &ldquo;With the K Series, it's like you're sitting in  the control room of a great studio listening a great mix over very expensive  studio monitors with nothing to do but basically turn them on. KILLING!&rdquo;</p> <p>  Visit  Dave Weckl's artist page at: <a target="_blank" href="http://kformusicians.com/english/artists/dave-weckl/">http://kformusicians.com/english/artists/dave-weckl/</a>.</p> <p> <strong>About </strong><a target="_blank" href="http://www.kformusicians.com"><strong>K for Musicians</strong></a><strong> </strong><strong> </strong><br>   Musicians themselves were the genesis  for the creation of <a target="_blank" href="http://www.kformusicians.com">KforMusicians.com</a>, leading the way via online forum  discussions touting the company's active loudspeakers as the perfect solution  for accurate sound reproduction of digital sources in a live application. The  QSC <a target="_blank" href="http://www.kformusicians.com">K for Musicians</a> website, currently  available in English, Spanish, French, and Russian, offers multiple examples of  how K Family loudspeakers can be used for musical instrument reproduction in  common, live performance applications. There are distinct areas for Electric  Guitar, Acoustic Guitar, Bass Guitar, Keyboards, Electronic Drums and Acoustic  Drums - as well as compelling K for Musicians artist profiles, photos and  interviews. And the common sentiment heard over and over is that the K Family  allows musicians to be more expressive, add nuance and greater dynamics, and  produce more creative and inspired live performances.</p> <p><a target="_blank" href="http://www.kformusicians.com">www.kformusicians.com</a></p>]]></description>
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<title><![CDATA[Dweezil Zappa Joins the QSC K for Musicians Family]]></title>
<link>http://www.qscaudio.com/press/news.php?id=407</link>
<pubDate>Wed, 30 Jan 2013 00:40:28 GMT</pubDate>
<description><![CDATA[<i></i><br><br><p><a href="http://kformusicians.com/english/artists/dweezil-zappa/" target="_blank"><img src="http://www.qscaudio.com/press/content/images/Dweezil-Zappa.jpg" alt=""/></a></p> <p><strong>Costa Mesa, CA </strong>(January 24, 2013) - QSC Audio  Products, LLC is pleased to welcome guitarist Dweezil Zappa to the growing list  of artists who have joined  the <a target="_blank" href="http://www.kformusicians.com">K  for Musicians</a> family.  A rock guitarist who took the stage at the age of 12, Zappa is known the word  over as a master of tone, often deploying elaborate rigs, both on stage and in  the studio, to achieve sophisticated and complex sonic signatures.</p> <p>&ldquo;I  needed something that was going to reproduce on stage what I was hearing on my  studio speakers at home while programming the sounds. I wasn't able to get that  until I started working with the QSC stuff, &ldquo;says Zappa. &ldquo;The KW122  loudspeakers really have all of the full-range depth and clarity, and the  headroom that is required to have it feel right.&rdquo;</p> <p>  According  to Zappa, his <a target="_blank" href="http://qscaudio.com/products/speakers/kw_series/">KW Series</a> rig helps him have the sound that  inspires him: &ldquo;To make good music you have to be inspired by the sound, and I  think my current setup is the best that I've had,&rdquo; he says.  &ldquo;It does have more response with articulation  - with the things that I play and with the nuances that I can get by inducing  feedback or those things that you would expect from a guitar amp/speaker  setup.  I get the full-range frequency  response but I also get the feel of pushing enough air so that it feels like a  guitar cabinet.&rdquo;</p> <p>Dweezil Zappa has spent his  career as a rock guitarist working solo as well as playing alongside music  legends like father Frank Zappa, Steve Vai, Eddie van Halen, Stevie Ray Vaughn,  Steve Lukather - the list goes on and on. In the past few months, Dweezil Zappa  has been on tour in Europe with his band, Zappa Plays Zappa (ZPZ), which will  continue in the U.S. through early 2013, playing material from the 60's, 70's  and 80's. ZPZ recently released their new FOH series album entitled, &ldquo;Out of  Obscurity.&rdquo; And this past summer marked the fourth annual &ldquo;<a target="_blank" href="http://www.dweezilzappaworld.com/pages/dweezilla">Dweezilla</a>,&rdquo; a  diverse musical boot camp for players of all skill levels created by Dweezil to  give back to the musical community. In between tours, Zappa spends time on his own solo compositions,  which span a wide range of musical genres. </p> <p>A musician who is very detail oriented in his creative  process, Zappa also prides himself in making sure that audiences can hear all of  the nuances and details in his music when he plays his digital modeling rig onstage.  Referring to the results achieved in utilizing the KW Series in a live setting,  Zappa states, &ldquo;In the end, when you listen to the sound, you would never  be able to tell that it's not a tube amplifier.  But when I'm playing, the QSC speakers  complete the overall feel and character of the sound -- and that's something  that I really have enjoyed about working with the QSC speakers.&rdquo;<br>   Visit  Dweezil Zappa's artist page at: <a target="_blank" href="http://kformusicians.com/english/artists/dweezil-zappa/">http://kformusicians.com/english/artists/dweezil-zappa/</a>. </p> <strong>About  K for </strong>]]></description>
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<title><![CDATA[Q-Sys™ Core 250i and 500i Integrated System Cores Win 2012 PAR Excellence Award]]></title>
<link>http://www.qscaudio.com/press/news.php?id=406</link>
<pubDate>Mon, 07 Jan 2013 22:12:20 GMT</pubDate>
<description><![CDATA[<i></i><br><br><p><strong><img src="http://www.qscaudio.com/press/content/images/PARExcellenceLogo.jpg" alt="http://www.qscaudio.com/press/content/images/PARExcellenceLogo.jpg"  align="left" style="margin:10px">Costa Mesa, CA</strong> (January 3, 2012)-QSC Audio Products  has received the 2012 PAR Excellence Award for the <a href="http://www.qscaudio.com/products/network/QSys/">Q-Sys</a>(tm) <a href="http://www.qscaudio.com/products/network/QSys/Q-Sys_core500i.php">Core 250i and 500i</a>Integrated System Cores, winning among  an impressive list of other products  in  the category of Sound Reinforcement Processing/System Control/Networking.</p> <p> The  PAR Excellence Awards, which are selected by both the editors and the entire  readership of Pro Audio Review, specifically noted that the flexibility and  mature system design of the QSC new Cores gave them a winning edge over other  products nominated in the category. </p> <p> The  Core 500i and Core 250i represent the next generation of Q-Sys products, which  are designed specifically to deliver powerful digital networked audio solutions  for the widest range of applications. Both provide advanced centralized  processing, routing and control for contractors and consultants needing a  solution for smaller venues such as restaurants, nightclubs, retail shops,  schools and churches.</p> <p> &ldquo;We  want to thank the readers of Pro Audio Review for recognizing the Core 500i and  Core 250i as deserving of a PAR Excellence Award this year.&rdquo; says Ray van  Straten, QSC Director of Marketing Communications.  &ldquo;We are excited about the innovations that  these new Q-Sys Cores provide and the extended range of solutions that they  offer our customers.&rdquo; </p> <p> <strong>About the PAR Excellence Awards</strong><br>   This  year, for the first time ever, the PAR Excellence Awards was re-introduced as a  reader-voted program, presented by the Editors and Contributors of Pro Audio  Review (PAR) magazine. An online balloting system allowed voting privileges to  Pro Audio Review print and digital subscribers from the  mail date of PAR August 2012's issue through November 16, 2012.</p> <p> Nominations  for the 2012 PAR Excellence Awards were developed through the brain trust of  PAR Editors and Contributors. Nominations were based on the &ldquo;I want to own  this&rdquo; principle; gear selected should have a proven field track record,  performed well via PAR's &ldquo;real world&rdquo; review process, or-in the case of  recently released products-have shown particular promise through  demonstrations, beta-testing and among early adopters. <br>   <a href="http://www.proaudioreview.com" target="_blank">www.proaudioreview.com</a></p> ]]></description>
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<title><![CDATA[QSC K Family is for Salo Loyo]]></title>
<link>http://www.qscaudio.com/press/news.php?id=405</link>
<pubDate>Wed, 02 Jan 2013 23:22:55 GMT</pubDate>
<description><![CDATA[<i></i><br><br><p><strong><img src="http://www.qscaudio.com/press/content/images/saloloyo.jpg" alt="" style="-webkit-user-select: none"></strong></p> <p><strong>Costa Mesa, CA </strong>(December 21,  2012) - QSC Audio Products, LLC is pleased to welcome keyboardist Salo Loyo  into the <a target="_blank" href="http://www.kformusicians.com">K for Musicians</a> family. A professional keyboardist since 1985, Loyo has had the opportunity  over his career to experience many, if not all, types of amplification systems  available.</p> <p> "I  honestly have never used any keyboard amp, speaker, PA system, wedge or in-ear  system that comes even close to the sound and response I get from my K Series,"  says Loyo.  "The sound is pure, clean and  powerful. I don't have to worry about competing with anybody to be heard. And  it's not just volume;I can play at any level and the sound cuts thru  beautifully and clearly, without hurting anyone's hearing."</p> <p>  After  reading some reviews on the QSC <a target="_blank" href="http://qscaudio.com/products/speakers/k_series/">K Series</a>in  Musico Pro and Keyboard magazines, Loyo was interested in the idea of 1000  watts of power in such a lightweight speaker, and decided to audition the K  Series for himself. "The moment I heard the K Series, it truly was "love at  first sound," says Loyo.  "And to have  1000 watts available in a completely portable and lightweight speaker, well,  there was no deciding - the decision was made."</p> <p>According to Loyo, his K Series  setup has had a very positive effect on the way that he plays. "The K Series  gives me the ability to play in a more relaxed way because I don't have to  adapt my playing to the speaker," he adds. " I can actually play the way I  always do and the speaker simply amplifies, delivers and translates exactly  what I'm playing, without any extra effort.</p> <p> Salo Loyo has played keyboards on  tour with Luis Miguel since 2002, and has written many songs for him  including "Sol, Arena y Mar," (BMI Award  Winner), and "Dimelo En Un Beso," which were included in the GRAMMY and  Billboard award winning album. "Amarteesun Placer." He also wrote songs for  Miguel's "33," "Nada esIgual," and his most recent album "Labios de Miel." Loyo  has worked with a wide range of artists over the years, including Jon Anderson  (Yes), Howard Hewitt, Herb Alpert, Marco Antonio Solis, and Charlie Zaa. </p> <p> Loyo  has  just returned from a tour with  Miguel in South America; earlier this year healso toured in the US, Mexico, Central  America and Spain. He has also been a  part of the pre-production/production team for Luis Miguel's studio recordings  for the past 10 years. Currently, he is involved in the pre-production of  a new album for his own group, No-Pals. Between touring, he spends  time arranging and producing for records and TV as well as playing live as much  as possible. </p> <p>  Visit  Salo Loyo's artist page at: <a target="_blank" href="http://kformusicians.com/english/artists/salo-loyo/">http://kformusicians.com/english/artists/salo-loyo/</a></p> <p><strong>About </strong><a target="_blank" href="http://www.kformusicians.com"><strong>K for Musicians</strong></a><strong> </strong><br>   Musicians themselves were the genesis  for the creation of <a target="_blank" href="http://www.kformusicians.com">KforMusicians.com</a>, leading the way via online forum  discussions touting the company's active loudspeakers as the perfect solution  for accurate sound reproduction of digital sources in a live application. The  QSC K for Musicianswebsite, currently available in English, Spanish, French, and  Russian, offers multiple examples of how K Family loudspeakers can be used for  musical instrument reproduction in common, live performance applications. There  are distinct areas for Electric Guitar, Acoustic Guitar, Bass Guitar,  Keyboards, Electronic Drums and Acoustic Drums - as well as compelling K for  Musicians artist profiles, photos and interviews. And the common sentiment  heard over and over is that the K Family allows musicians to be more  expressive, add nuance and greater dynamics, and produce more creative and  inspired live performances.</p> <p><a target="_blank" href="http://www.kformusicians.com">www.kformusicians.com</a></p>]]></description>
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<title><![CDATA[Brea Community Center Upgrades with New Q-Sys™ Core 250i Processor]]></title>
<link>http://www.qscaudio.com/press/news.php?id=404</link>
<pubDate>Tue, 18 Dec 2012 00:52:00 GMT</pubDate>
<description><![CDATA[<i></i><br><br><p><img src="http://www.qscaudio.com/press/content/images/bcc01.jpg" alt="" style="-webkit-user-select: none"></p> <p><strong>Brea, CA</strong> (December 17, 2012) - Trinity Sound Company (TSC) recently completed an  upgrade to the in-house music playback and paging system at Brea Community  Center that included a <a href="http://qscaudio.com/products/network/QSys/">QSC Q-Sys(tm) Core 250i</a> processor and two  additional <a href="http://qscaudio.com/products/amps/cx/cx4/cx4.htm">CX Series</a> multichannel  amplifiers. The community center, located adjacent to the Brea Civic and  Cultural Center in the heart of the city, which is located about 25 miles  southeast of downtown Los Angeles, offers facilities for business and community  meetings, youth and adult education, and health and fitness activities.</p> <p>  This was one  of the very first installations of the lower cost Q-Sys Core 250i, notes Devin  DeVore, president and owner of TSC, an Ontario, CA-based company that offers  live and installed sound production services as well as studio and remote  recording. "The accessible price point of the new cores opens up Q-Sys to a  host of new facilities," he says, adding, "We like the platform, and we like  its possibilities."</p> <p>  Compared to  competing products at a similar price point, the Core 250i offers a lot more  flexibility, DeVore believes. "A lot of those competing systems are fixed  configurations. The Q-Sys Core 250i offers more flexible options for growth and  to really build a network system. It's not just one box with limited inputs and  limited control."</p> <p>  The Brea  Community Center houses everything from a basketball gym and aerobics classes  to meeting rooms, according to DeVore, who also installed projectors and other  AV equipment during the upgrade to the center. Two of the center's in-house  staff have the Q-Sys Control <a href="https://itunes.apple.com/us/app/q-sys-control/id417461920?mt=8&ls=1">iOS app</a> installed on their respective  iPhones. "We divided the system into 12 zones, and we have some room combining  going on," he adds." The two setup guys, who do everything from moving tables  to setting up the banquet room, have control of the room combining and the  overall volume."</p> <p><br>   <img src="http://www.qscaudio.com/press/content/images/bcc02.jpg" alt="" style="-webkit-user-select: none"></p> <p>TSC retained  the previously installed QSC Audio CX Series multichannel amplifiers and added  two more CX Series amps - a four-channel and an eight-channel. "Using the  DataPort cables we were able to link into the network, so we have load  monitoring and system performance data that shows up on the app, too, so that  the facility staff can make sure that everything is working and that there are  no blown speakers," DeVore comments.</p> <p>  Additional  system control is available in the main entrance lobby. "From the front desk  they can page into different areas," he elaborates. "Using the Q-Sys Control  app we also created a few pages for them to control the room combine, and  control their music playback. We set the system up to play back music using the  audio file player that's in Q-Sys. That runs on a calendar, so every day at  7:00 a.m. it fires up a playlist and plays music through the concourse. They  run a bunch of afternoon programs, so at 2:30 the music turns off, because  there are a lot of kids running around. As things mellow out again in the  evening it turns back on and runs until about 10 o'clock at night."</p> <p>  He  continues, "Along with playback in the Q-Sys we also have it streaming Pandora  through an iPad. We used one of the inputs at the front desk on the paging  station as another input from a CD/iPod dock. If anyone wants to play something  from the front desk they can go to the iPad, or wirelessly control it from  their iPhone and switch inputs. So there are a few different ways that they can  get music going through the space and route and control things pretty easily."</p> <p><img src="http://www.qscaudio.com/press/content/images/bcc03.jpg" alt="" style="-webkit-user-select: none"></p> <p>DeVore  concludes, "I wanted to build something that was future-proof. The idea was to  give them a platform that they could grow into." For example, he says, "I  explained to them that when they make announcements for aerobics classes or  after-school programs we could have it link to their digital signage." While  that might be something for future implementation, Community Center managers  are already considering a more immediate expansion of the Q-Sys network, he  reports: "They have an outdoor patio and they're thinking of using it for  outdoor events and weddings and other events." </p> <p><strong>About TSC</strong><br> Trinity  Sound Company is a full-service production company that provides services to  the live production, studio, system integration and pro A/V markets. They have  been in business for more than 17 years servicing the international  entertainment industry, corporate event, musical theater, government and house  of worship markets. They focus on providing high quality professional services  and attention to detail. Clients describe TSC as a boutique company with  personalized services, flexibility and a way to instill piece of mind that  their production will be handled in the best way possible. Each year, TSC  services over 200 live productions, close to a dozen full-length albums and  continuous design/build installations.<a href="http://www.trinitysoundcompany.com">www.trinitysoundcompany.com</a></p>]]></description>
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<title><![CDATA[QSC Audio Products Named One of the Top Ten Orange County Workplaces]]></title>
<link>http://www.qscaudio.com/press/news.php?id=403</link>
<pubDate>Mon, 10 Dec 2012 21:50:51 GMT</pubDate>
<description><![CDATA[<i></i><br><br><h1><img src="http://qsclive.com/files/2513/5491/7539/Ad.jpg" alt="Ad.jpg"/></h1> <p><strong>Costa Mesa, CA</strong> (December 10, 2012) - <a href="http://www.qsc.com">QSC  Audio Products</a> has  been named one of the Top Orange County Workplaces for the third year in a row,  according to the daily newspaper, The Orange County Register. The responses  were based upon anonymous survey results from almost 20,000 employees from  various companies surveyed throughout the region.<br>   <br>   For the survey, employees were asked to respond anonymously to 20 statements  about their workplace experience and the leadership at their company. The  company rankings were then independently calculated by survey firm WorkplaceDynamics  based upon the employees responses to these statements - so the results are  truly based on employee feedback. 15 large companies, 25 midsize companies, and  50 small workplaces made the list of the Top O.C. Workplaces 2012, with QSC  ranking as #7 among mid-sized companies.<br>   <br>   "QSC is a place where people are growing, working together  and are genuinely engaged and excited to bring forth their best," says QSC  CEO Joe Pham. "If there is one thing that makes this company a top  workplace, it's simply our people. We have phenomenal talent at QSC, we  genuinely care for one another and really work together as a team. There is a  level of care here that reminds you of family, which is so incredibly special  to find in the workplace."</p> ]]></description>
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<title><![CDATA[QSC Audio Products Receives Thought Leadership Award from Channel IQ]]></title>
<link>http://www.qscaudio.com/press/news.php?id=402</link>
<pubDate>Wed, 05 Dec 2012 21:47:04 GMT</pubDate>
<description><![CDATA[<i></i><br><br><p><strong><img src="http://www.qscaudio.com/press/content/images/Channel-IQ.jpg" alt="" style="-webkit-user-select: none"></strong></p> <p><strong>Costa Mesa, CA</strong>(Nov 3, 2012) -<a href="http://www.qsc.com">QSC  Audio Products</a> is  pleased to announce that the company, as well as three individuals, have  received the first-ever Thought Leadership Awards from <a href="http://www.channeliq.com">Channel  IQ</a>, the leading  provider of online pricing intelligence and channel management solutions.  2012 marked the inaugural year for the IQ  Awards, which celebrate the best and brightest innovators and leaders in the  online price monitoring, brand intelligence and brand protection arena. </p> <p> The  awards, which were given during Channel IQ's recent 2012 Online Channel  Management Summit in Chicago, were given to QSC as a company, as well as  individually to Senior Director, Sales Operations and Strategic Accounts, Gina  Bergmann; Project Manager, Sales Operations and Strategic Accounts, Heather  Stevenson and Margaret Jenkins, Corporate Counsel, in recognition of their  outstanding accomplishments in protecting brand identity in e-commerce. </p> <p> The Thought Leadership Award is given to the client and users  exhibiting superior knowledge and innovative usage of Channel IQ tools. The  thought leader is the user with the best understanding of Channel IQ products  and the ability successfully manage the depth and breadth of the product better  in a way that far surpasses any other business.Nominees alongside QSC for this  award included: a Fortune 500 Athletics Manufacturer, A Fortune 500 Consumer Power  Tool Manufacturer, and a Fortune 500 Medical Products Manufacturer.</p> <p> &ldquo;QSC  has always taken a great amount of pride in protecting the integrity of its  brand and e-commerce has heightened the need for diligence in this area,&rdquo; says  Gina Bergmann. &ldquo;It is quite humbling for us to  receive this award among all these great companies in industries much larger  than our own.&rdquo;</p> <p>  Candidates  for the awards were nominated by the Channel IQ executive sales team. The  nominees are debated in front of executive management, and then the list is  pared down to the top four in each category. This subsequent list was voted on  by the entire Channel IQ executive and sales force in a private ballot.</p> <p> &ldquo;The  strength of our company is due in no small part to the long-term partnerships  we've had with our valued dealers. It's vital that we protect the integrity of  our brand so that they, as well as their customers, continue to enjoy a  fulfilling, authentic QSC experience with every interaction,&rdquo; adds Bergmann. </p> <p><strong>About Channel IQ</strong><br>   Channel IQ is the leading provider of online retail intelligence  solutions to manufacturers. Channel IQ provides real-time, online promotion and  pricing information, empowering major manufacturers and retailers like Olympus,  Dyson, Panasonic, LG, Bulova, Wüsthof, and Tumi to quickly and profitably  handle channel issues and competitive situations. Only Channel IQ combines  integrated reporting, interactive applications and services to enable  manufacturers to automatically act on real-time data. Channel IQ solutions are  the result of cutting edge technology combined with decades of industry  experience in channel management, distribution, online retail and  manufacturing. <br> For more information, visit <a href="http://www.channeliq.com">www.channeliq.com</a>.</p> ]]></description>
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<title><![CDATA[QSC Introduces the New AcousticPerformance™ Line of Loudspeakers]]></title>
<link>http://www.qscaudio.com/press/news.php?id=401</link>
<pubDate>Wed, 05 Dec 2012 21:28:01 GMT</pubDate>
<description><![CDATA[<i></i><br><br><p><strong><img style="display: block; margin-left: auto; margin-right: auto;" src="http://qscmarketing.com/files/cache/b0f85cacaf978dd52012bc5dc66ffdb2_f52.jpg" alt="AP_01.png" width="535" height="153"></strong></p> <p><strong><img style="display: block; margin-left: auto; margin-right: auto;" src="http://qscmarketing.com/files/cache/3211cc38db38ceac6da7e9913a5b10ea_f59.jpg" alt="AP01.jpg" width="530" height="329"></strong></p> <p><strong>Costa Mesa, CA</strong> (December 5, 2012) - QSC Audio  Products is proud to announce the launch of the <a href="http://qsc.com/products/speakers/ap/">AcousticPerformance</a>(tm) line of  professional, two-way, full-range  loudspeakers, ideal for a variety of installed sound reinforcement applications  which requirehigher SPLand a stylish enclosure. All models feature a 3-inch  voice coil, high power-capacity compression driver combined with high-output  woofers to deliver exceptional full bandwidth reproduction.</p> <p> "In  keeping with QSC's loudspeaker design philosophy, all AcousticPerformance  loudspeakers feature Directivity Matched Transition(tm)(DMT) which matches the  compression driver to the natural coverage angle of the woofer in the  cross-over region", states Phil Sanchez, QSC Loudspeaker Product Manager. "When  combined with their axisymmetric waveguides, AcousticPerformance loudspeakers  deliver a flat power response with smooth and accurate sonic reproduction and  remarkably consistent coverage both on and off-axis."</p> <p>  AcousticPerformance  models may be used in passive (full-range) mode to minimize amplifier channel  count or bi-amp mode for greater control and performance. To further enhance  performance, bi-amp and full-range tunings using QSC Intrinsic Correction  techniques are available for Q-Sys(tm) and future QSC products.</p> <p> All  models feature M10 mounting points for deployment via eye-bolts as well as  mount points for an optional yoke bracket. The AP-5122m multi-purpose enclosure  features a 40-degree angle, making it ideal for floor monitor use, and a pole  cup for deployment on a loudspeaker stand. The enclosure and terminal input cup  on the AP-5122m have been designed to facilitate the cable runs for a clean  appearance on stage.</p> <p> Presenting  a clean, unobtrusive look, AcousticPerformance grilles are unadorned,  eliminating the need to cover-up logo treatments, which can be difficult to  hide or remove. The grille is also lined with acoustically transparent backing,  adding to the enclosure's professional appearance.</p> <p> AP-5102/5122/5152  models are available in black (RAL 9011) and white (RAL 9010) finishes.  AP-5122m is available in black only. To minimize impact and disposal fees at  the job site, all AcousticPerformance loudspeakers are packaged in  environmentally friendly, recyclable cartons.</p> <p> Key  Features of the AcousticPerformance Line:</p> <ul type="disc">   <li>DMT(tm) (Directivity Matched       Transition) ensures smooth, coherent power response across the listening       plane</li>   <li>3" diaphragm compression delivers       a clean and powerful high frequency response</li>   <li>M10 fittings and yoke mount       fittings offer flexible deployment options for a variety of applications</li>   <li>Clean industrial design with       unadorned grilles complement most decors and settings</li>   <li>NL4 Speakon(tm) connector and       covered barrier strip terminals*</li>   <li>Bi-Amp / Passive Switchable</li>   <li>Constructed from 15-ply Baltic       birch plywood</li>   <li>16-Gauge powder coated steel       grilles</li>   <li>Available in black (RAL 9011) and       white (RAL 9010)*</li>   <li>Complete EASE, CAD & BIM       information available online</li> </ul> <p>* Except for 5122m<br>   For more  information, visit the AcousticPerformance product page at <a href="http://qsc.com/products/speakers/ap/">http://qsc.com/products/speakers/ap/</a></p>]]></description>
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<title><![CDATA[University of Massachusetts Mullins Center Arena Debuts Sound System with QSC]]></title>
<link>http://www.qscaudio.com/press/news.php?id=400</link>
<pubDate>Fri, 30 Nov 2012 22:50:17 GMT</pubDate>
<description><![CDATA[<i></i><br><br><p><strong><img src="http://www.qscaudio.com/press/content/images/UMMCA.jpg" alt="" style="-webkit-user-select: none" /></strong></p> <p><strong>Amherst,  MA</strong>, (Nov 20,  2012) - Located  on the campus of the University of Massachusetts, the largest public university  in New England, the 10,500-seat William D. Mullins Memorial Center arena  unveiled the replacement for its 20-year-old installed PA system in  mid-October. <em>The new system includes a QSC Audio </em><em><a href="http://www.qscaudio.com/products/speakers/ila/">ILA  System</a></em><em> comprising seventy-two WL2082-i line array  elements and twelve WL118-sw subwoofers driven by twenty-two </em><em><a href="http://www.qscaudio.com/products/amps/powerlight3/powerlight3.htm">PowerLight<em>(tm)</em> 3 Series</a></em><em> PL340  amplifiers, all under the control of two </em><em><a href="http://www.qscaudio.com/products/network/QSys/">Q-Sys</a></em>(tm) <em>Core 250i units with a Q-Sys I/O Frame.</em></p> <p>  The Mullins Center - which is managed by Global Spectrum, a  private venue management firm that oversees more than 100 venues worldwide - is  home to UMass Amherst's Minutemen basketball and ice hockey and Minutewomen  basketball teams. The arena also hosts concerts and other events, as well as  productions by a variety of UMass departments.</p> <p> The Mullins Center's new sound system was designed by Acentech and  installed by North American&nbsp;<em>Theatrix,  working with McPhee Electric. </em>According to Scott Jordan, Consultant in  Acentech's Audiovisual Systems Group, the University's procurement required  clear specifications which could be met by any one of several manufacturers: &ldquo;We had some initial ideas on which  direction we wanted to go with this design, based on the client's requests.  However we were limited in the locations available to put new loudspeakers.  Getting further into the design, I created a model of the space in EASE (3D  modeling/loudspeaker prediction software), and quickly discovered that our  initial choice was not going to work. We needed more loudspeakers to obtain the  coverage, but even doubling up our initial choice would not give us the  coverage we ultimately needed. It would also exceed the given budget for this  project by almost double.&rdquo;</p> <p>  Jordan continues, &ldquo;So  the hunt was out to find a loudspeaker that would give us the necessary wide  vertical coverage required, keep the weight in check, and most importantly fit  within our budget. At this point I took a look at the QSC ILA product, having  been familiar other QSC products prior. Once the loudspeakers were put in the  model in EASE, it was clear these enclosures would do what I needed them to do.  The price point on these also allowed us to add those additional enclosures  while staying well within our original budget.&rdquo;</p> <p>  Pat Nelson, Director of Projects, North American&nbsp;<em>Theatrix, also worked up an  EASE Focus model, in consultation with QSC Audio, and confirmed Jordan's  findings. Both predictions were right on the money. </em>&ldquo;Probably the most rewarding part of this  project was when we first fired up the QSC system - it sounded amazing right  out of the box,&rdquo; reports Nelson. &ldquo;There wasn't a whole lot of work that we  ended up doing because it just worked as predicted.&rdquo; And Jordan adds, &ldquo;Pat  grabbed a co-worker and me when we were going in to test the system. He said,  'You guys have got to hear this!' It was genuine excitement.&rdquo;</p> <p>  <em>The ILA System is distributed in eight arrays  around the sports arena, three on each side and one in each end zone, as well  as three arrays covering the floor &ldquo;</em>They're flown directly above the first row  of seats,&rdquo; Jordan reports. &ldquo;The distance down to the first row of seats is  about the same as the distance to the last row, so coverage is very consistent  throughout the entire facility.&rdquo;</p> <p>  As for intelligibility, he says, &ldquo;It's a concrete hockey rink and  we're getting STI  levels of 0.54 or better -that's  considered good to very good, and well within what we expected.&rdquo; There is no  shortage of output, either,&rdquo; he says. &ldquo;We achieved 112 dB, and we still had  headroom in the system.&rdquo;</p> <p>  The new system also includes a Yamaha LS932 digital mixing console  fitted with CobraNet output cards feeding two Q-Sys Core 250i processors  installed 400 feet away in the gridwork high above the floor alongside the  PL340 amplifiers. Greg  Downing here at NAT was instrumental in doing all of the programming for the  system with Q-Sys.  &ldquo;The  Q-Sys feeds are sent to the amplifiers through DataPort, so everything is  digital all the way to the amps,&rdquo; says Nelson. &ldquo;We've used the Q-Sys Core 1000  in other arenas in the past, but this was our first time using the Core 250i.  We got some of the first units to be produced.&rdquo;</p> <p>  &ldquo;We have an I/O Frame down in an existing amp room that's  providing a couple of local inputs and outputs&rdquo; adds Jordan. &ldquo;There are still  some legacy audio systems in place in Mullins for the concourse and other  public areas we didn't change, and it was important to have a DSP system in  place that could expand as necessary to allow for those eventual upgrades.&rdquo;</p> <p>  Nelson concludes, &ldquo;The client was very happy. The new QSC  Loudspeaker system is leaps and bounds ahead of what they had - in 20 years the  technology has improved so much. The coverage sounds very even, all the way  from the first row of seats to the very upper nosebleed seats. That's a great  accomplishment.&rdquo; </p> ]]></description>
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<title><![CDATA[QSC Journeys To The Stars In Jena]]></title>
<link>http://www.qscaudio.com/press/news.php?id=399</link>
<pubDate>Tue, 20 Nov 2012 18:46:15 GMT</pubDate>
<description><![CDATA[<i></i><br><br><p><strong><img src="http://www.qscaudio.com/press/content/images/Jena1.jpg" alt="" style="-webkit-user-select: none"></strong></p> <p><strong>Jena, Germany, November  2012 </strong>- CX Series amplifiers and AD-S loudspeakers  from QSC have helped to revolutionise the sound systems at Germany's oldest  planetarium, creating an aural experience that is literally out of this world.</p> <p> The Zeiss  Planetarium in Jena, eastern Germany, opened in 1926 and is the oldest such  building to have remained in continuous service since that time. The projection  dome stands 14.5 metres high and has a diameter of 23 metres, resulting in an  impressive projection surface of around 800 square metres. In 2006, the  outmoded projection system was replaced by a full-dome video projection system,  which was brought into full operation during the last lengthy phase of  reconstruction in autumn 2011 with the addition of eight digitally controlled  video projectors. To perfect the visitor experience, the planetarium's owners  decided to make the aural treats match the visual, and a high-quality 3D sound  system was built into the projection dome of the planetarium in cooperation  with QSC and the Fraunhofer Institute.</p> <p> The audio  sources used in the planetarium's presentations are digitised, processed by  powerful PCs in real time, placed in a 3D soundstage and manipulated, and then  converted back to analogue signals before being passed to the loudspeakers. Up  to 64 analogue signals at once are then passed to the total of 16 QSC CX254  four-channel amplifiers to as many as 60 two-way QSC AD-S82H loudspeakers,  while four subwoofers take care of the lower frequencies.</p> <p> <img src="http://www.qscaudio.com/press/content/images/Jena2.jpg" alt="" style="-webkit-user-select: none"></p> <p>46 of the 60  full-range speakers are located in the gallery, the remaining 14 behind the  perforated metal covering of the dome. Because the dome is not quite a perfect  circle, and is slightly flatter at the sides, the seating faces a particular  direction rather than being concentric. The sound systems take account of this;  near the front of the dome the QSC AD-S82Hs are also closer together than at  the rear, because human hearing is better at picking up sounds coming from the  front than the rear.</p> It could be argued that in this kind of public  building, where the experience is primarily a visual one, such a detailed sound  system is an unnecessary extravagance. Until you see and hear the Zeiss  planetarium in action, that is. Thanks to the hard work of the engineers who  have brought together QSC technology with that of the Fraunhofer Institute, the  visuals and audio mesh seamlessly, creating a breathtaking experience in which  you can pick out every aural and visual detail. As Jürgen Hellwig, the  planetarium's Director is fond of pointing out, it can't be a coincidence that  the Zeiss in Jena recorded a record number of visitors for a single month after  the newly installed systems were opened to the public]]></description>
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<title><![CDATA[Video Game Developer Treyarch Installs K Series 7.2 Speaker System]]></title>
<link>http://www.qscaudio.com/press/news.php?id=398</link>
<pubDate>Mon, 19 Nov 2012 19:05:22 GMT</pubDate>
<description><![CDATA[<i></i><br><br><p><strong><img src="http://www.qscaudio.com/press/content/images/Treyarch01.jpg" alt="" style="-webkit-user-select: none"></strong></p> <p><strong>Santa Monica, CA</strong>, (November 13, 2012) - CCS  Presentation Systems is proud to announce the installation of a QSC Audio K  Series loudspeaker system with KW Series subwoofers in a 7.2 surround sound  configuration for the award-winning video game developer Treyarch, creators of Activision's  Call of Duty(R): Black Ops II. The new system is part of an upgrade to the A/V  system in a presentation theater at Treyarch's studios in Santa Monica, CA.</p> <p> The  new QSC Audio system comprises three K10 two-way, 10-inch active loudspeakers  for the left, center and right channels, plus four K8 two-way, 8-inch active  speakers for the left,  right, and rear  surround channels, together with a pair of KW181 18-inch subwoofers positioned  at the front of the room. Sources for the QSC system are controlled by an Onkyo  PR-SC5508 AV preamplifier-processor, which is integrated with a Crestron  DigitalMedia matrix switcher.</p> <p> <img src="http://www.qscaudio.com/press/content/images/Treyarch02.jpg" alt="" style="-webkit-user-select: none"></p> <p>"The  right and left speakers are on stands, the center channel is hung from the  ceiling above the screen, and the surrounds are hung from the ceiling on the  sides and in the rear," says Eric Diemert, account manager at CCS Presentation  Systems' office in Hawthorne, CA. <br>   "I  really like the QSC speakers," Diemert continues. "They were really simple to install  and sound great. And Criss Nieman at Audio Geer, QSC's manufacturer's rep, was  amazing. He hauled a K Series speaker system over there and set them up for a  demo that blew me away."</p> <p>  According  to Diemert, the equipment upgrade coincided with a new theme of the decor at  Treyarch's presentation room, which measures approximately 60 ft. x 25 ft.,  incorporates rows of home theater-style seats on risers, and is used for video  game introductions and demonstrations. </p> <p> Diemert  reports that Treyarch's in-house audio engineers tuned the new system. The  setup, which replaces a home theater system that was less than adequate for the  dimensions of the room, is now capable of delivering the realistic sounds of  warfare in the developer's games at a very high volume, he adds: "They've got  about 9,000 watts in there!"</p> <p>  <strong>About CSS Presentation  Systems</strong><br>   With 21 offices across the country,  CCS Presentation Systems is one of the leading providers of audio video  products and solutions in the nation. CCS provides high-quality, on-time  project installations of any size in the most demanding of environments - from  simple accessories to multi-million dollar integration projects, from school  classrooms to world-class resorts, CCS provides superior audio video products,  services, and solutions to meet the unique needs of every client. <br>   <a href="http://ca.ccsprojects.com/">http://ca.ccsprojects.com/</a></p>]]></description>
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<title><![CDATA[QSC Active Loudspeakers Drive Congregations at New Church In Singapore]]></title>
<link>http://www.qscaudio.com/press/news.php?id=397</link>
<pubDate>Tue, 13 Nov 2012 21:05:25 GMT</pubDate>
<description><![CDATA[<i></i><br><br><div > <p><strong><img src="http://www.qscaudio.com/press/content/images/KingChurch.jpg" alt="" style="-webkit-user-select: none"></strong></p> <p><strong>Singapore, November  2012 </strong>- QSC sales representative in Singapore Sindo  Exports has supplied multiple K Series Active Loudspeakers to a relocated  church in the south-eastern part of the city. The senior pastor and founder of  the recently moved Jesus My King church, Dr Steven Francis, wanted bands and  groups to be able to accompany church services in the church's new home, and  required speakers for both on-stage monitoring and amplification to this end.  As usual in Singapore, however, space was at a premium.</p> <p> Sindo Exports  worked in conjunction with Singaporean sound consultant Robert Soo of Cogent  Acoustics, who specified the system and recommended the QSC K Series.  "After surveying the venue," comments Soo, "I figured that the  QSC K Series Active Loudspeakers best fitted the bill. The hall is wide and  fan-shaped, with an extremely low ceiling of just 8 feet 2 inches, and a floor  space that leaves little room for the FOH booth and even the stage after  fitting in all the required seats."</p> <p> <img src="http://www.qscaudio.com/press/content/images/KingChurch2.jpg" alt="" style="-webkit-user-select: none"></p> <p>Five K10s were  ordered in total, of which three are used as the main front-of-house speakers  and two as floor wedges for musicians to monitor with. Robert Soo also  specified a pair of KW181 subwoofers (one positioned on either side of the  stage), and used smaller K8s (three in total) as fill-in speakers towards the  back of the church. Two K8s are used in a separate training room and a sixth  plays music in the church's main reception area. </p> Both Sindo Exports and Robert Soo are pleased  with what has been achieved in a fairly compact fifth-floor property - and so  is the church's founder. "Reverend Francis was already impressed with QSC  products from a previous positive experience," explains Robert Soo,  "so he had absolutely no problem with any of my suggestions - including  the choice of active monitors, which I considered for this project because they  save on the space required to house a rack of amplifiers!"</div>]]></description>
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<title><![CDATA[Yuanlin Performance Hall Refits with QSC]]></title>
<link>http://www.qscaudio.com/press/news.php?id=396</link>
<pubDate>Wed, 07 Nov 2012 19:06:39 GMT</pubDate>
<description><![CDATA[<i></i><br><br><div style=" text-align:justify; width:760px; clear:both;"> <p><strong><img src="http://www.qscaudio.com/press/content/images/Yuanlin.jpg" alt="" style="-webkit-user-select: none"></strong></p> <p><strong>Taiwan, November  2012 </strong>- The Yuanlin Performance Hall lies in  Changhua County, Taiwan, an area of the country famed for its literary culture  and poetry. Last year, the sound systems at the venue were extensively  refitted, incorporating several QSC PLX amplifiers and WideLine(tm)-10 line array  loudspeaker elements with subwoofers for the first time. The new PA was  installed by local dealer Reyn Yang Professional, with the guidance of the QSC  distributor in Taiwan, Prosound.</p> <p> Ben Su at  Prosound explains how the installation came about. "At first, our client  specified a different, domestic set of speakers for the installation. However,  our appointed dealer Reyn Yang visited the hall several times, and utilised  EASE to model the performance of WideLine versus the client's original choice  for this venue. After further evaluation, the client chose to install the QSC  system."</p> <p>  <img src="http://www.qscaudio.com/press/content/images/Yuanlin2.jpg" alt="" style="-webkit-user-select: none"></p> <p>A 12-element  WL2102 system now provides audio in the main hall, supplemented with four  WL118-sw subwoofers and driven by four PLX3102 amps and eight PLX3602s. An SC28  processor controls the overall system. "According to our clients, the  performance of the system for both sound quality and control has been  favourable," continues Ben Su,"and the feedback from users in the  hall has been positive."</p> </div>]]></description>
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<title><![CDATA[Forty Two Inc. Hits the Campaign Trail with QSC Loudspeakers]]></title>
<link>http://www.qscaudio.com/press/news.php?id=395</link>
<pubDate>Wed, 07 Nov 2012 18:48:35 GMT</pubDate>
<description><![CDATA[<i></i><br><br><div style=" text-align:justify; width:760px; clear:both;"> <p><strong><img src="http://www.qscaudio.com/press/content/images/FortyTwo.jpg" alt="" style="-webkit-user-select: none">Boardman,  OH</strong> (November 6, 2012) - Following a fire at a property adjacent to  its former location, AV staging, rental and sales company Forty Two Inc.  relocated its headquarters here and has re-equipped, acquiring new WideLine(tm), KLA and K Series loudspeaker systems  from QSC Audio Products. Forty-Two Inc. put the new systems to work for the  first time at President Obama's inaugural campaign event at Ohio State  University in Columbus.</p> <p> "QSC's local rep called us as soon as he heard we were in the  market for new inventory, and he did a good job of focusing us on what would  work best for our needs," says Tony Ferrello, president, Forty Two Inc. In  total, Ferrello purchased 32 WideLine-10 line array modules and twelve WL218-sw  subwoofers, eight KLA12 active line array modules with four KLA181 subwoofers,  and ten K12 active loudspeakers. "We have used WideLine speakers quite often  for several years through a partner vendor of ours, and we've been using QSC  amps since we've been in business, so it wasn't a hard decision," he reports. </p> <p> The longevity and roadworthiness of the QSC Loudspeaker Systems  were critical factors in Ferrello's purchase decision. "Ninety percent of what  we do is rental and staging and only 10 percent are ancillary things like sales  and service, so we need a company that is building products that are made to  last on the road, not just hung somewhere and left," he says.<br>   Cost-efficiency and quality were also a major factor. Ferrello  elaborates, "We don't make as much money here per unit sale as is the case in  other areas of the country. So if we have a quality product from QSC that we  use for five or more years then we're going to make our ROI and keep a  consistent quality. Those are the two things in our market that are really important."<br>   Ferrello also notes, "QSC has better factory support than the  previous company we used in terms of rental and staging. That other company was  only helpful when we were selling a system to somebody."</p> <p>  The fact that a WideLine-10 module is so compact, weighing just 83  pounds (38 kg), was another consideration, since the system doesn't require a  tractor-trailer for transport. "You can put the WideLine in a straight truck,"  comments Ferrello. "With the changing economics of business and the cost of  transportation, our clients might say, ‘We can carry 24 WideLine, our entire  audio rig with in-ear monitors, in a straight truck, maybe even with the  backline - we'll save thousands of dollars on a six-month tour."</p> <p>  Forty Two Inc., a GSA  and CCR   contractor, does a lot of government work,  and that carries into the political world every four years. "That's a big boost  for us, to work with one of the candidates, typically the incumbent," says  Ferrello. "<em>Obama for America"</em> is one  of our big clients. We bought the QSC system right at the beginning of this  election cycle, and in May at Ohio State University's Schottenstein Center,  a 20,000-seat arena, we used 56 WideLine-10s, 12 WideLine-8s and seven or eight  racks of PowerLight 380 amplifiers. That event was really successful."</p> <p>  He continues, "We started with President Obama when he was a  senator. The first event we did with him, at Penn State University back in  early 2008, was with a sub-rented WideLine system. We've done probably 30 or 40  large events for the president over this summer with WideLine in the  northeastern U.S. So the whole time we've been working with him we've been  using WideLine."</p> <p>  Working as a government-approved contractor, every dollar that the  vendor charges is under scrutiny, he says. In the case of GSA work, the agency  schedules the payment based on national averages. Those factors, too,  encouraged Ferrello to look for a cost effective PA solution, which he found in  the QSC speakers. "That has focused our business on getting the job done with  less transportation and labor costs," he says.</p> <p> But it hasn't been just political events for the new QSC speakers.  "We had  the WideLine for Bruce Springsteen in Cleveland Oh, which was a show for 10,000  people at a college.. We've done some shows for ABC's ‘Good  Morning America.' And we used WideLine on the Fourth of July for firework music  at different locations," he reports.</p> <p> Looking to the future, he says, "We're going to become Q-Sys(tm) Certified and see the ways we can make  Q-Sys work for our customers. And if things work out the way I'm hoping, we may  end up doubling our inventory within a year." </p> <p><strong>About Forty Two Inc.</strong><br>   Forty Two Inc is a  national provider of audio, lighting, video and event management solutions for  a verity of market segments including Special Events, Television Broadcast,  Political Production, GSA, and Concert/ Theatrical Touring. Forty Two Inc  employs some of the industries best talent in both technical production and  client management to ensure a perfect experience for producers and audiences  alike. At Forty Two Inc there are never problems, just solutions! To learn  more, please visit:<strong> </strong><br>   <a href="http://www.fortytwoinc.com">www.fortytwoinc.com</a></p> </div>]]></description>
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<title><![CDATA[QSC KLA Drives the Sound of Sustainability]]></title>
<link>http://www.qscaudio.com/press/news.php?id=394</link>
<pubDate>Thu, 01 Nov 2012 21:22:44 GMT</pubDate>
<description><![CDATA[<i></i><br><br><div style=" text-align:justify; width:760px; clear:both;"> <p><strong><img src="http://www.qscaudio.com/press/content/images/sofs01.jpg" alt="" style="-webkit-user-select: none"></strong></p> <p><strong>Klarenbeek, The  Netherlands, October 2012 </strong>- A QSC KLA Series  Active Line Array Loudspeaker System, supplied by the QSC distributor in The  Netherlands, AED, heads the PA system in a new 'green' congress centre recently  built here.</p> <p> In the centre of  the Dutch countryside, the groundbreaking new conference centre has been  constructed according to strict sustainable principles, making maximum use of  natural materials and recycling as much as possible. The Veerkracht Ecocentre (<a href="http://www.veerkracht.com/">www.veerkracht.com</a>) is partially built  into a large mound of earth, allowing the soil to handle much of the insulation  requirements of the building naturally, and is roofed with turf and grass. But  this is no medieval shack; inside is a state-of-the-art meeting centre.</p> <p> <img src="http://www.qscaudio.com/press/content/images/sofs02.jpg" alt="" width="306" height="335" hspace="5" align="left" style="-webkit-user-select: none">AV installation  specialist Dave Shiphorst (<a href="http://www.daveconnects.nl/">www.daveconnects.nl</a>),  who is responsible for all of the audio-visual systems at the Veerkracht centre  and was part of the small team of enthusiasts that built the centre themselves  without using a contractor, explains the thinking behind it. "Most  conference centres aren't very green - there are lots of big rooms, lights and  air conditioning, and everyone visits in their own car. Our aim was to build a  state-of-the-art centre with good transport connections, and combine that with  sustainable principles - so our chairs are restored 80-year-old wooden chairs,  our catering is done exclusively with local produce to keep the food miles low,  and we use paper coffee cups which we also burn in our furnaces to help to heat  the building. We combine all that with centrally controlled AV systems, and I  can raise and lower the chandeliers and activate the display screens,  projectors and audio systems from my iPhone."</p> <p>  Hanging in the  main auditorium and handling the audio duties for the conference centre's AV  system is a QSC KLA Line Array composed of eight full-range KLA12 elements (four  per channel) and four KW181 subwoofers. "I sold and installed QSC products  for a living for many years," explains Shiphorst, "I am a major fan  of both QSC amplifiers and speakers. When Sam Verwaijen, the centre's owner,  asked me to work with him at the Veerkracht Centre, I said that the speakers  had to be QSC. Sam trusts my judgement, and once he heard the KLAs, he was  convinced.</p> <p>"Now that  they are installed, the QSCs sound really great - I am so pleased. Mark Bailey  from QSC came to tune the system, but he didn't really have to do much - my  years working with QSCs were put to good use when I hung the arrays here. He  was impressed by the speaker placement and the sound we've achieved here, and I  think the centre was a bit of an eye-opener for him, too!"</p> </div>]]></description>
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<title><![CDATA[Keyboardist Ed Roth Joins the QSC K for Musicians Family]]></title>
<link>http://www.qscaudio.com/press/news.php?id=393</link>
<pubDate>Tue, 23 Oct 2012 16:10:21 GMT</pubDate>
<description><![CDATA[<i></i><br><br><div style=" text-align:justify; width:760px; clear:both;"> <p><strong><img src="http://www.qscaudio.com/press/content/images/edroth.jpg" alt="" style="-webkit-user-select: none"></strong></p> <p><strong>Costa Mesa, CA </strong>(October  22, 2012)-QSC Audio Products, LLC. is pleased to welcome keyboardist Ed Roth to  their <a href="http://www.kformusicians.com" target="_blank">K for Musicians</a> family, coinciding with the release of his self-titled debut album this week.  Roth's first single on the album, "<em>Summertime</em>,"  spent 8 weeks in the Smooth Jazz Billboard Top 40  charts.</p> <p> "I really set out to  make a strong, musical record and I am proud of the album.  With the help and encouragement of Warrior  Records, and a lot of great musician friends playing on it for me and two top  engineers, Ryan Hewitt and Joel Numa,  recording  and mixing it, I feel like we made something that will still sound great in 10  years," says Roth. "We picked out some interesting and unusual covers to add to  my original songs on the album. In the old school tradition of rearranging  covers, I really tried to flip these classic tunes with reharmonizations and  new grooves."</p> <p>  Whether recording or  playing live, Roth's attention to how his music sounds influenced his decision  to go with the K Series.  "First, the K Series speakers are warm and smooth, very musical to  play through, yet they are able to cut through a mix. It's great to be heard  without the usual harshness of most powered speakers," says Roth. "Second, as a keyboard player,  you need headroom and power to be able to play with dynamics. You have to have  that power to play tastefully, whether you are playing piano or Rhodes under a  vocalist, or soloing on a fusion gig."</p> <p>  Roth has recorded with artists ranging from Coolio  to Rob Halford to Tom Morello. He is a member of both the Bombastic Meatbats  (with Red Hot Chili Peppers drummer Chad Smith) and CTA (with former Chicago  founder/drummer Danny Seraphine). Roth co-produced Kristine W's #1 iTunes jazz  single, "What I Like About You."   This past year, Roth was a session keyboard player on records with  artists including the Avett Brothers,  Sophie B Hawkins, Maia Sharp, and Nathan Maxwell (of Flogging Molly).<br> And according to Roth,  the K Series has helped him keep connected to his sound. "As a keyboard player,  you need to have warm, rich tone with headroom, but you also need to feel  connected to your sound through your speakers. I play a lot of piano and Rhodes,  and picked the Roland RD 700 as my main keyboard not only for the way it sounds  with those instruments, but because it feels like I am connected to those  instruments," says Roth. "Your speakers are as big a part of your sound -- and  they also must do that in order for you to play musically - the K Series  achieves that for me."</p> <p>Visit  Ed Roth's artist page at: <a href="http://kformusicians.com/english/artists/ed-roth/" target="_blank">http://kformusicians.com/english/artists/ed-roth/.</a></p> <p><strong>About </strong><a href="http://www.kformusicians.com" target="_blank"><strong>K for Musicians</strong></a><strong> </strong><strong> </strong><br>   Musicians themselves were the genesis  for the creation of <a href="http://www.kformusicians.com" target="_blank">KforMusicians.com</a>, leading the way via online forum  discussions touting the company's active loudspeakers as the perfect solution  for accurate sound reproduction of digital sources in a live application. The  QSC <a href="http://www.kformusicians.com" target="_blank">K for Musicians</a> website,  available in English, Spanish, and Russian, offers multiple examples of how K  Family loudspeakers can be used for musical instrument reproduction in common,  live performance applications. There are distinct areas for Electric Guitar,  Acoustic Guitar, Bass Guitar, Keyboards, Electronic Drums and Acoustic Drums -  as well as compelling K for Musicians artist profiles, photos and interviews.  And the common sentiment heard over and over is that the K Family allows  musicians to be more expressive, add nuance and greater dynamics, and produce  more creative and inspired live performances.</p> <p><a href="http://www.kformusicians.com" target="_blank">www.kformusicians.com</a></p> </div>]]></description>
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<title><![CDATA[Q-Sys™ Offers Acoustic Echo Cancellation as a Standard Feature]]></title>
<link>http://www.qscaudio.com/press/news.php?id=392</link>
<pubDate>Fri, 19 Oct 2012 20:25:37 GMT</pubDate>
<description><![CDATA[<i></i><br><br><div style=" text-align:justify; width:760px; clear:both;">   <p><strong><a href="http://www.qscmarketing.com/aec" target="_blank"><img src="http://www.qscaudio.com/press/content/images/qscqsysaddsaec.jpg" alt="" style="-webkit-user-select: none"></a></strong></p>   <p><strong>Costa Mesa, CA</strong> -(October 19, 2012) QSC Audio  Products, LLC is pleased to announce that Acoustic Echo Cancellation (AEC) is now  available as a standard component of their acclaimed Q-Sys&#8482;<strong> </strong>integrated system platform, which has quickly become the preferred  choice worldwide for audio system control and signal transport. </p>   <p> Ideally  suited for Q-Sys clients that utilize AV conferencing systems in such places as  corporate boardrooms, meeting and convention spaces, hospitality installs, and  government and legislative venues, the powerful QSC AEC process is easily  deployed in Q-Sys Designer software as a simple, draggable component. And  unlike AEC offerings from competing manufacturers which must be purchased as  costly add-on input cards, the Q-Sys solution is 100% integrated into the Q-Sys  Core without any additional cost to the user.</p>   <p> &ldquo;Because  of the powerful Q-Sys DSP processing engines, we have been able to offer Acoustic  Echo Cancellation as an integrated feature to serve our customers,&rdquo; says Joe  Peavey, QSC Product Manager, Software. &ldquo;The  tight integration between the Q-Sys processor, DSP, hardware and control  software, gives Q-Sys the ability to do AEC on audio signals coming from any  number of sources such as mics, remotes, I/O frames and even over IP streams.&rdquo;</p>   <p>    Current  Q-Sys customers can enjoy the AEC feature at no charge by upgrading to Q-Sys  Designer Release 3.0 or newer. More information on the upgrade, as well as a  new Q-Sys AEC whitepaper can be found at: <a href="http://www.qscmarketing.com/aec" target="_blank">www.qscmarketing.com/aec</a>.</p>   <p> &ldquo;We are excited to be able to offer AEC to our customers with  Q-Sys,&rdquo; adds Peavey. &ldquo;And we continually have plans in the QSC pipeline to add  more advanced and powerful features to Q-Sys which will benefit our customers.&ldquo;</p>   <p>    Q-Sys, the complete integrated system platform that encompasses  everything from the audio input to loudspeakers, provides all the audio  routing, processing, control and monitoring necessary for any facility while  maintaining the audio quality and reliability QSC has come to be known for.  Designed for the rigorous requirements of both small and large-scale venues,  the power of Q-Sys has been demonstrated worldwide in a variety of applications,  including stadiums and arenas, theme parks, performing arts venues,  transportation hubs, corporate boardrooms, convention halls, government  facilities, hotels and casinos and houses of worship. </p> </div> ]]></description>
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<title><![CDATA[QSC AcousticDesign Loudspeakers Reinforce the Ambience at Atlantic City’s New $2.4 Billion Revel Casino-Resort]]></title>
<link>http://www.qscaudio.com/press/news.php?id=391</link>
<pubDate>Thu, 18 Oct 2012 19:15:41 GMT</pubDate>
<description><![CDATA[<i></i><br><br><div style=" text-align:justify; width:760px; clear:both;"> <p><strong><img src="http://www.qscaudio.com/press/content/images/revelcosino01.jpg" alt="" style="-webkit-user-select: none"></strong></p> <p><strong>Atlantic  City, NJ </strong>(Oct 18,  2012) - Montreal-based Sceno Plus, renowned  for its theatre design work in Las Vegas, Canada, and around the world,  recently completed a major, multi-venue project at Revel, the new $2.4 billion  casino-resort at the north end of Atlantic City's famed boardwalk. Sceno Plus  was the lead designer for all of the entertainment spaces at the Revel,  including the Revelry casino floor, where the company designed, specified and  optimized nearly 570 QSC Audio Products AcousticDesign Series ceiling- and  surface-mount loudspeakers.</p> <p>Sceno Plus was responsible for  the design of two large, multipurpose, transformable venues, several bars and  various interconnecting spaces at Revel. The resort, which fronts onto the  beach, covers 20 acres and, at 47 stories, is the tallest building in Atlantic  City. </p> <p> In a break  with traditional casino design, Revelry's 130,000-sq.-ft. gaming floor includes  windows offering panoramic views of the Atlantic Ocean. As daylight fades,  audiovisual, lighting and interior design elements dynamically change the  ambiance of what are referred to as "neighborhoods" on the floor as the night's  entertainment begins. "The client wanted to have a high-end theatrical  experience on the gaming floor," explains Simon Leonard, AV Designer, Sceno  Plus.</p> <p> <img src="http://www.qscaudio.com/press/content/images/revelcosino02.jpg" alt="" style="-webkit-user-select: none"></p> <p>The  constant-voltage distributed audio system on the Revelry casino floor includes  274 QSC AcousticDesign <a href="http://www.qsc.com/products/speakers/acoustic_design/c_series/c_series.htm">AD-CI52ST</a> ceiling speakers,  which employ 5.25-inch LF transducer, a 1-inch titanium dome tweeter and a  ported enclosure for greater low frequency extension; 170 QSC AcousticDesign  <a href="http://www.qsc.com/products/speakers/acoustic_design/c_series/c_series.htm">AD-S52T</a> two-way surface mount speakers, also incorporating a 5.25-inch woofer  and 1-inch neodymium tweeter; and 125 QSC AcousticDesign AD-C81Tw ceiling-mount  8-inch subwoofers, providing additional low-frequency extension.</p> <p> "The  AcousticDesign line was a great choice, because the client really wanted to  have fullness and richness of both the high-end and the low-end," says Leonard.  "So we needed a product that could suit that large, broad spectrum, and would  also be really comfortable to listen to."</p> <p>  Despite the  significant differences in ceiling height and of finish materials between one  neighborhood and the next, the QSC AcousticDesign products were remarkably easy  to dial in, according to Leonard. "The voicing of the whole line is very nice.  You go from a low ceiling area to an open part of the casino, where AVI/SPL  & CALVI worked hard to maintain a certain level of consistency in the trim  heights, but the voicing is really similar. You could also get more of the same  response between the ceiling and the surface mount versions, which is very  nice. We were really astonished at how we could easily, without eq'ing for  hours, get the same response everywhere."He continues, "We were surprised to  hear how the AD speakers sounded right out of the box, off-, as well as,  on-axis. You can really get something that is consistent throughout the whole  coverage area."</p> <p>  <img src="http://www.qscaudio.com/press/content/images/revelcosino03.jpg" alt="" align="left" style="-webkit-user-select: none">The speaker  system on the casino floor also needed to be of high quality, capable of acting  as an extension of the sound systems in several of the featured spaces. These  include The Social, a two-story, high-energy show-bar in the center of the  gaming floor that hosts a variety of events, including musical guests; the Digipit,  an area with a raised runway, two raised stages and space for acrobatic and  aerial performances; and the Immersive Dome, an overhead, 360-degree digital  video projection installation. "There are a couple of features like that on the  Revelry floor that the system can take its source from," says Leonard. "So we  put a lot of attention into how we were going to zone the system, just to make  sure that we would be able to maintain something that makes sense with the  architecture."</p> <p>  The changing  environments and various show elements are preprogrammed and played out through  show control automation. "So the floor manager at any time can override the  timeline and select something at the catwalk, or later if there's something  happening in the bar and they want to extend the experience onto the floor,  they are always able to do so. That's why we had to provide a sound  reinforcement system that would reflect or extend the quality of a live event.  It's more or less an extension of a concert system," he elaborates.</p> Sceno Plus collaborated on the Revel project  with Claude Ricard and Marc St-Jacques of SF Marketing, the QSC distributor for  Canada. "We had the opportunity to do a mock up in their facility, so we could  really compare what EASE Address was saying to compare it with the real life  installation, or as close as we could get it. Those guys were really a big  help," says Leonard. We were really happy about how it turned out." More  importantly, he comments, "The client is really pleased with the results."  </div>]]></description>
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<title><![CDATA[QSC Announces the Promotions of Jatan Shah to Executive Vice President/Chief Operating Officer and Barry Ferrell to Vice President, Cinema]]></title>
<link>http://www.qscaudio.com/press/news.php?id=390</link>
<pubDate>Wed, 17 Oct 2012 22:46:26 GMT</pubDate>
<description><![CDATA[<i></i><br><br><div style=" text-align:justify; width:760px; clear:both;"> <p><strong><img src="http://www.qscaudio.com/press/content/images/Jatan&Barry.jpg" alt="" style="-webkit-user-select: none"></strong></p> <p><strong>Costa Mesa, CA</strong> - (October 15, 2012) QSC Audio  Products, LLC is proud to announce two new promotions on its executive team,  the promotion of Jatan Shah to Executive Vice President, Chief Operating  Officer and the promotion of Barry Ferrell to Vice President, Cinema. </p> <p> In his new  role, Jatan Shah will oversee the company's Finance, R&D, Manufacturing, Supply  Chain, IT, and Legal functions.</p> <p> "Since  joining QSC, Jatan has made unparalleled contributions to our success through  his leadership and critical thinking. He has led many key efforts across the  organization in the areas of financial management, product development, and an  operations transformation," says Joe Pham, QSC Chief Executive Officer.  "His exceptional business skills and  leadership traits make him an invaluable member of our executive team as we  move forward in building the future at QSC. I am thrilled and very grateful to  have a professional of his caliber working with us."</p> <p>  Jatan joined  QSC in 2010 and has served as Chief Financial Officer and Chief Technology  Officer, leading the Finance, R&D, Legal, and IT  departments. Prior to joining the company, Jatan served for five years  as Senior Engagement Manager at McKinsey & Company, a global management  consulting firm recognized as one of the most prestigious in the world. Jatan  spent the previous five years as a Manager at United Technologies Corporation,  a provider of high-technology products and services to the global aerospace and  building systems industries.</p> <p> "We  have very high aspirations for QSC in achieving long term growth and I am very  excited to be a part of the executive team which will be taking the company to  the next level," adds Jatan Shah. "I look forward to the opportunities and  challenges that my new role presents, and the ability to further solidify the  foundation of QSC's Finance, IT, Legal, Manufacturing, Supply Chain, and R&D  functions to enable our growth aspirations."</p> <p>  Barry  Ferrell, VP, Cinema at QSC, began his career at the company in 1990 as an  Applications Engineer and was the first technical hire at the company in the  sales and marketing department. After holding a number of different positions  there, Barry assumed the leadership role of the Cinema Group at QSC in 2009.  Under Barry's leadership, QSC has become a household name in the global cinema  market.</p> <p> "Barry  has led our Cinema efforts in every way, including the development of many  outstanding products for this important marketplace," says QSC CEO Joe Pham. "I  am very excited for Barry to be at the helm as we continue to offer our next  generation of complete Cinema solutions."</p> <p>  Over  his 22 year career at QSC, Barry has served as the product manager for every  single cinema product developed at QSC. This includes the DCA amplifiers, DCM  crossover/monitors, DCS loudspeakers and most recently the DCP line of Digital  Cinema Processors. </p> <p> Barry's  insight into cinema products is driven by his knowledge of the growing needs of  the marketplace and by his practical experience. He began his career in cinema  and professional audio in 1980 when he was hired as an usher at a local cinema  and quickly moved in to the projection booth. Working in the booth and doing  audio installation and service work for a major theme park proved to the ideal  fit for Barry. In 1985, Barry worked for National Amusements as a union  projectionist out of local #327 before moving to Omaha in 1987 to take over the  console pre-wire department at Ballantyne Strong. After building and shipping  several thousand projection consoles, the Omaha winters drove Barry to seek  opportunities in southern California, leading him to QSC. </p> <p> Throughout  his years at QSC, Barry has devoted his career to improving the audio  experience in cinemas.</p> <p>"I  am very proud of the full systems solutions for Cinema that QSC has developed  over the years - from amplifiers to loudspeakers to digital cinema processors -  we offer the marketplace a total cinema solution," says Ferrell.  "I look forward to meeting new challenges in  this market."</p> <p> Barry  is involved in the activities of the International Cinema Technology  Association (ICTA) and is a frequent contributor to their technical seminars,  is a past president of the organization and currently serves on the board of  directors. </p> </div>]]></description>
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